Record The True Presentation Of The Film Under Subjective Consciousness

The most important feature of a documentary is its authenticity.This authenticity is not absolute.In the strict sense,this reality is the reality of subjective intervention.The documentary is a reproduction of real life.The process of reproduction is through the camera as a medium.Due to the intervention of the camera,it will change the original state of real life.The controller of the camera is a creator with subjective initiative,so the production of the documentary is naturally inseparable from the subjective intervention of the creator.In other words,the content presented in the documentary is the result of the creator’s purpose and choice.This way of reproduction has the subjective consciousness of the creator.Although it was the subjective intervention of the early "Direct Cinema" to exclude everything,the filming itself is the process by which the creator selectively refines and screens the real life.As long as it is reproduced by the camera,it has some subjective effect.So the truth in the documentary is not absolute.I think the camera itself is not a passive recording tool,it should be integrated with the creator to become an active participant.Compared with the concept of non-intervention of "Direct Cinema",I am more inclined to the concept of "Cinema Verite".This article takes the creation of the documentary "The dulcimer of the Huang Family of Gulin County" as an example.Through the study and reference of the "real film" creation concept,this paper explores and summarizes the narrative strategy,shooting techniques and editing suitable for the film under subjective intervention.The method,without affecting the authenticity of the film,adds my subjective intervention as a creator,which can be described as a true expression under the subjective intervention of the creator.The film mainly presents the living state of Huang Qiangyi,a non-genetic inheritor who sticks to the county town.It revolves around the daily life and interpersonal communication of the protagonist Huang Qiangyi.In order to better explore meaningful moments and reveal the essence of nature,from the early planning The post-editing has my subjective consciousness as a creator.It is also in full compliance with the subjective intervention concept advocated by “real film”.Thedirector has the right to provoke the occurrence of certain events,and can dig out the most meaningful moments in the event,instead of spending a lot of time passively waiting for these moments to happen.This method not only improves the efficiency of shooting,but also makes the theme more understandable.