Study Of The Space Consciousness Of Modern And Contemporary National Writers In Western Guangxi

Since the 20 th century,local writers in western guangxi have gradually become connected and formed their own uniqueness.Among them,the most important feature is that their literature have a strong tone of suffering.For this point,the critics mainly discuss the time consciousness of western guangxi writers,but fail to notice the complicated space consciousness behind their suffering writing.The author thinks that the latter is the uniqueness of west guangxi ethnic literature.The minority ethnic groups in western Guangxi suffer from narrow and barren living environment,tragic and miserable history of existence.Such ethnic regional cultural characteristics play a decisive role in the formation of local people’s spatial concepts.Ludi,Guizi,Dongxi of the modern and contemporary national writers who grew up here have experienced the collision of foreign culture and the national culture of Guangxi in different times.Their literary creations reflect a unique sense of space and spatial expression,which not only has the same national character,but also has the individual unique aesthetic orientation.Based on their spatial consciousness and creation,this paper tries to explore the modernization process and uniqueness of guangxi and western ethnic literature in the 20 th century.This paper is divided into three chapters.The first chapter analyzesthe spatial representation of Ludi,Guizi and Dongxi in detail.In the tragic and closed dilemma of space,it constructs a multi-dimensional space such as the imagery groups of the dual opposition of the township and the city,spatial orientations and spatial boundaries.Mountains,rivers and land are no longer endorsements of hometown.The city is desolate and desolate,and desires are alienated.In the collision between the body and the space,the individual situation is forced to embarrass,and the doors,windows,walls,etc.metaphorically the invade and isolate interpersonal relationship.The second chapter is the focus of this thesis,which aims to explore the spatial consciousness behind the writer’s text space.The literary creation of Ludi,Guizi,Dongxi is not only carry the tragic national historical memory,but also have a profound space fable in the thinking of modernity.The eternal diversity of suffering,the unity and brave ethnicity and the self-exploration of ingenuity,constitutes the spiritual content of their spatial awareness.The third chapter explores the occurrence of spatial consciousness and the consciousness of national culture.Exploring the occurrence of spatial consciousness from the perspective of the traditional Chinese cultural psychology of western Guangxi and the personal experience of writers.From the two aspects of unconscious influence and national cultural consciousness,this paper analyzes the writer’s unique creative consciousness,creative characteristics and aesthetic style in a deeper and comprehensive way.Therefore,from theintersection of history and reality,we can see the roots and changes of the traditional cultural psychology of the minority people in western Guangxi,and deeply explore the spatial consciousness of modern and contemporary national writers in western Guangxi.The innovation of this paper is:guided by the theory of spatial criticism,the literary creation of Ludi,Guizi,Dongxi has established a relationship with its nation,region,and culture,and profoundly explored the relationship of the regional culture of the people of western Guangxi,the space consciousness of writers,and the generation and performance of literary creation.At the same time,in the process of discussion,consciously compare the suffering tragedy of the three writers with the time tragedy of modern and contemporary minority writers in western hunan.The differences between national culture,time and space concept and life consciousness are analyzed in detail.the unique aesthetic style of suffering and space interwoven in the modern and the contemporary national literature of western Guangxi is discussed.