China And The West Drawing Spatial Consciousness And The Performance

China and the West drawing all has the glorious history, but behind this kind of glorious history forms respective philosophic thinking and esthetics idea, in the penetration drawing space realizes this breakthrough point, refracts their mind and the light of wisdom. Therefore, in China and the West drawing"spatial consciousness and the performance"always is the fine arts research topic. By what kind of thought angle of view understood and elaborates China and the West drawing"spatial consciousness and the performance"the difference question, also is the research difficulty. In the so different drawing performance aspect, found one to link up both the comparison spot, justs like when the sketch seeks on the still life that light and shade to hand over the demarcation line, hoped this line can accurate and the rich expressive force lets this object be bright, also cannot fall the convention, this is a difficulty, its my interesting too.Because of the difference of philosophical ideologies, great discrepancy exists between the representations of the spatial consciousness in Chinese and Western drawings. The spatial consciousness of Chinese drawing,influenced by the thought—"the harmony of nature and human", is the awareness of the rhythms of nature by observing everything in the world with the mind's eyes. While the spatial consciousness of Western drawing, influenced by the attitude towards the universe—opposition between nature and humans, and based on western science and technology, is the awareness of the spatial order and the static harmony of the world, treating the endless universe in the way of seeking, controlling and exploring.Chinese drawing is one kind of dynamic psychological experiencing and observing method, mainly employing the perspective of moving point. The externalized form of this method is the comprehensive application of observation methods: the dispersing perspective of"view the small from the big"and"three distant prospects law", to represent infinite space with finite picture performance. The focal point perspective is the observation method employed in Western drawing. Painters make fixed-point observations and picture objects that are detected by eyes in a tapered figure. Lines, points, figures and surfaces are the important methods to create shapes and spaces. Unlike Western drawing, the traditional Chinese painting creates shapes and spaces just with points and lines. The former focuses on representation while the latter pays more attention on reappearance. In terms of spatial construction ductility, Chinese painting is open, manifested in its free construction of pictures beyond the restriction of space and time feelings, dynamic feelings and imagination space. Western drawing is closed, and its integrity is determined by its composition base of architecture principles. Actual-empty situation is the main strategy to create spatial images, which is advocated by both Chinese and Western drawings. However, Chinese painting pays more attention to the empty situation and both sides are in an interactive relationship. In Western drawings, the empty situation is just an assistant to the actual situation, which is the main body of a picture.While China and the West drawing fusion, is"the introduction of western learning to the east"unceasingly penetrates one kind of academic phenomenon in China and the West cultural exchange which produces with under the expanded situation. There are mainly three influences caused by the contact between Chinese drawing and Western drawing art. The first type is represented by Xu Beihong, who transforms the Chinese drawing with western classicism, enters for west of; the next type is represented by Lin Fengmian, who grafted the ancient folk art and language main body with western modernism; the last one is represented by Liu Haisu, who communicates the Chinese drawing characteristic and the Western impressionistic style. Their contribution lies in that they have brought Chinese art circles the atmosphere of free and conscious creation in the intercourse of world arts, opening a new field for exhibiting the unique and fascinating Chinese culture.