| The network narrative structure is one of the most complicated forms of narrative in the late 1990s;from the awards of the three major European film festivals(Cannes,Berlin,Venice),the study of the network narrative film not only has a theoretical level.The far-reaching significance;more practical the guiding significance of the creative level;the artistic law of the network narrative structure also provides more possibilities for the author's script creation method.In addition to the introduction,this study is divided into four parts:The first part mainly finds out the rise of the network narrative film and how to define the theoretical basis of the network narrative film through the literature;compares and analyzes the visual narrative mode presented by the classic mesh narrative film to the audience,focusing on the props,scenes and events.select.In the second part,the author summarizes the three aesthetic characteristics of the network narrative film through the literature analysis: the theme of the drama in the interspersed structure is polysemy,the narrative viewpoint in the stipulated situation is multi-dimensional,and the narrative space in the juxtaposition time is multi-dimensional.The third part,combined with the existing artistic rules of the network narrative,proposes its own new situational cognition viewpoint,and gives a new theoretical basis for its own script-writing: the retrospective retrospective in time,the combination of narrative space and ideographic space.Character relationships that are mirror images of each other.The fourth part mainly discusses the author's script creation and the network narrative: the author's script-writing self-report,talk about the origin of the script of "I want to be" and the gradual excavation of the theme of the play;try to summarize his own script For the conception of the network narrative film script and the artistic law in the network narrative structure,the author will enlighten the future creation. |
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