| Xian Qing Ou Ji is a summary of Li Yu's artistic experience.The book involves a lot of creation practice and art of creation,such as the design of clothing and jewelry,the construction of garden architecture,the cooking art of food,the design of furniture,etc.It is called "the guide of Chinese life art".It can be said that in the history of China,there are not many ancient literati who integrate the practice of creation with the art of creation.At present,the academic research on Xian Qing Ou Ji focuses on the opera theory,aesthetic thought,design thought,leisure thought,etc.,but there are few articles on the spirit of creation.Therefore,this article takes the "artisan spirit" as the entry point,the "artisan spirit" in the Xian Qing Ou Ji and the implementation in the practice of creation as the main research content,the creation of Xian Qing Ou Ji in-depth study.The first part is about the concept and dimension of craftsman and craftsman spirit.Craftsmen are the carriers and communicators of the "artisan spirit"."Artisan spirit" is a professional attitude,professionalism and humanistic qualities formed by craftsmen in the practice of creation.It is a professional spirit and humanistic quality embodied by artisans in the professional attitude of love,dedication and happiness.Its concrete manifestation is the three dimensions of "ingenuity","artificial art" and "artificial virtue"."Ingenuity" is the emotional dimension of "artisan spirit",which is expressed as a professional attitude of love,dedication and happiness."Artisan" is the technical dimension of "artisan spirit",including the spirit of "taking image",the spirit of "workmanship",the spirit of "beauty" and the spirit of "use"."Artisan" is the ethicaldimension of "artisan spirit".First,pay attention to the "sincerity" rule and the "good work" principle,and second,pursue the spiritual realm of "combination of Taoism and technology."The second part,"artisan spirit" is the soul of creation.First of all,Xian Qing Ou Ji is based on the "respecting the craftsman" music "the instrument" as the basis of the creation,the "respecting the craftsman" heart and the music "the instrument" is the "ingenuity".Secondly,Xian Qing Ou Ji is the essence of creation with the spirit of "artisan art".It is embodied in a professional quality of excellence.In the design principle advocates the nature spirit,the design should conform to the nature,the teacher law nature;stress the spirit of innovation in technical skills,in order to seek new and different,flexible into the target;it advocates the spirit of beauty and elegance in artistic aesthetics,and pursues the beauty of material,structure and modeling.In the end,the principle of thrift and vulgarity is adopted in the book,which opposes extravagance and waste and creates good customs and customs.The third part,the practice of creation is the final implementation of the "artisan spirit".The craftsmanship spirit was not only presented in the Xian Qing Ou Ji,but also through the practice of creation.First,it is skillful to "technique".On the one hand,based on the original structure of the utensils,Li Yu skillfully carries out technical treatment;on the other hand,on the basis of the original materials of the utensils,he adds new materials for reassembly.Li Yu adheres to the "fit" principle of creation and the creation of "Ya" to carry out the practice of creation.Third,believe in "Tao." In the process of creation,Li Yu incorporates the way of nature,the way of society and the way of humanism.It is a manifestation of the pursuit of the principles and spirit of creation,and it is also a manifestation of humanistic qualities.The fourth part is the reflection on the creation thought of Xian Qing Ou Ji.Due to the limitations of the time environment,the class identity and personal factors,there are also some negative elements in the creation thought of Xian Qing Ou Ji,which deserves our vigilance and reflection.First,it is based on the enjoyment of the literati class.In the practice of creation,Li Yu mainly focuses on the literary concept of enjoyment and enjoyment of literati.Without certain cultural cultivation and economic conditions,he cannot truly understand and enjoy these artifacts.Therefore,he does not really realizethe necessity of every family.Second,pay attention to the entertainment of the practice of creation.Li Yu idea of creation is mainly entertainment,lacking the conscious pursuit of craftsmanship,lack of pursuit of excellence in technology and art.This makes his aesthetic concepts and artistic ideas not divorced from the traditional entertainment and moral disciplines.Third,it tends to be superficial and innovative.Li Yu repeatedly stressed the unconventionality in the practice of creation,which made the historical and cultural heritage of traditional landscape gardens and the sacred sense of traditional creations disappear,and replaced by a kind of technical innovation that tends to be superficial.Li Yu tried to innovate on the basis of inheriting the ancient creation design of the ancients,but because of the influence of the times,classes and personal factors,it did not truly achieve the inheritance and development of ancient and modern,new and old spiritual culture.Today,in advocating the spirit of "artisan craftsmanship",we must learn from the "respecting the craftsman" music in the Xian Qing Ou Ji,pursuing the "ingenuity" and advocating the spirit of elegance,and at the same time,the negative influence on its creation thought should also take the lead and innovate and improve in reflection. |
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