A Study On The Comedy Of Chinese Network Homemade Dramas

As the rhythm of times is getting faster and faster,people's free time is getting more and more fragmented.People are eager to get a sense of pleasure in the limited time,and it makes the current competition situation of the network more and more complicated.In order to capture the right to speak in the market,video sites have successively begun to explore the creation of network homemade dramas.Based on the results of audience selection and market feedback,the producer are more and more fond of the comedy creation of network homemade drama.As the original type of network homemade drama,comedy has accumulated the fan base for the development of network homemade drama.However,after the first year of the network homemade drama,the comedy creation slowed down.Instead,it was integrated into the creation of network homemade drama as a kind of artistic and aesthetic attribute,and has made great contributions to the development of the network homemade drama.This paper took the comedy of Chinese network homemade drama as a study object,and combed the video texts of the network common drama in recent years,hoping to provide some suggestions for the benign development of network homemade drama.Chapter one confirmed the object of study by defining the concepts of “network homemade drama”,“network drama”,“TV network drama”,“network TV drama”,“comedy” and “laughability”,and then summarized the comedy creation of network homemade drama before and after 2014,the Network Homemade Drama Year,respectively.It was found that comedy has replaced the comedy type in the network homemade drama creation.Chapter two analyzed the comedy character shaping in the network homemade drama from the perspective of character image characteristics and the generationmechanism.The comic character characteristics of network homemade drama embody in "quarrelsome lovers","extraordinary freak",and "funny detective".The comedy character generation mechanism is elaborated from three aspects: personality,identity and language.Chapter two three analyzed the comedy narrative techniques of network homemade drama from the perspective of comedy narrative features and generation mechanism.The comedy narratives of network homemade drama include exaggerated spoiling type,anomalous grotesque type and ironical cold humor type.In the exploration of its generation mechanism,Bergson's situational theory was used to expound the comedy narrative structure of network homemade drama;the comedy narrative situation was analyzed from the four situational constitution methods by Mr.Yang Mingxin;the construction of the narrative plot was analyzed with the "coincidence" and "misunderstanding" and "misplacement" method.Chapter four analyzed the cultural landscape of comedy from the perspective of culture.The comedy culture of network homemade drama relying on network culture,is embodied in the barrage interaction,spoof content,and market tends,which respectively express the complaint culture,ugliness appreciation and consumer culture.The choice of audience,the openness of macro-environment and the change of micro-environmentled to the emergence of the comedy culture of this network homemade drama.Chapter fifth made reflections from the aspects of "joviality","contradictoriness","aesthetic education" and "sociality",which are four aesthetic characteristics of comedy.In this chapter,it is found that the comedy of the current network homemade drama is mostly for pure joviality.It covers up the contradictions of the real society and lacks the function of education and social responsibility.Therefore,for the sound development of comedy of network homemade drama,the following four points should be achieved: first,to integrate the spirit of comedy into the characters;second,not to over-process the plot;thirdly,to integrate the national culture into them and take the initiative to undertake social responsibility;fourthly,to enhance the ideological connotation of dramas.