Study On The Rheology Of Wang Kui's Plays

"Wang Kui" is one of the earliest South dramas in China.It is called "the head of the drama" and has an important position in the history of Chinese opera development.Wang Kui opera has been welcomed by the people since its birth.It is still playing well on the stage of the opera.Wang Kui opera is a typical representative of the negative drama.The reasons behind it are worthy of further analysis.The purpose of this paper is to sort out the process of Wang Kui's rhythm,including the generation and evolution of Wang Kui's story and script,as well as the image changes of Wang Kui and Gui Ying,and explain the changes that have taken place in the process of rheology.In addition,this article also analyzes the important node works in the process of Wang Kui's rhythm,namely Ming Dynasty "Fengxiangji",Sichuan Opera Wang Kui's Play(including Zhao Xi's "Love Delective",Zhou Mulian's performance "Fengxiangji",Xi Mingzhen Li Minghao changed the "Fengxiangji" and He Tianhan edited the "Love Detective" to study the artistic effects of different adaptations in the process of Wang Kui's rhythm,especially the analysis of the artistic nature of the "Love delective" plot and the aesthetics of Wang Kui's different endings.The effect,from these combing can be seen the artistic value of Wang Kui opera and some problems that should be paid attention to in the adaptation of contemporary opera stories.