An Ethical Study Of Jia Zhangke's Films

Since 1993,commercial films have become the mainstream.Jia zhangke,who calls himself a "film migrant worker",adheres to the attention and description of the real society at the bottom of the modernization process in the context of multi-film culture creation,and has become a clear stream in the film industry.From the fledgling "God Home" to the latest "Heroes and Children",it has always been based on simple audio-visual language and ideological reflection,civilian perspective and real social form,social and ethical criticism,and the dual opposition between village and city.Other theme performances attract the audience,and stage a ethical contradiction and controversy.As a video art,film is a combination of time and space,with the brand of historical time and the constraints of regional space.When the film became more and more a way of mass entertainment or “education and fun”,Jia Zhangke still insisted on his own creative features.The film image is his artistic means of expressing and revealing the society,and it is the “art from life”.The best revealing,the social problems caused by image expression,and the reflection caused by ethical issues are the ability of "art is higher than life" in its image creation.In the social reality of Jia Zhangke's image performance,the dual ethical value is reflected,that is,the fixed "countytown" image space is rooted in the local area and changes in the city.Shanxi is the regional representative of the traditional ethics in the image,and the city contains the development process of modern civilization.The alienation of traditional ethical concepts and values.The film is a reproduction and expression of life.From the birth of the Chinese film in 1905,the images showing Chinese ethics and morality follow the example.Because there are ethics in life,just as there are people there are rivers andlakes.With the transformation of the historical background,the transmission of Chinese traditional ethics and morality continues and renews in different contexts.The transformation of the dual geographical space of "village" and "city" in Jia Zhangke's film is also the traditional ethics and modernity.A switch to ethics.Kirkko said: "God knows how many people's hair,ethics knows how many people." This article takes Jia Zhangke's film content as the research text,and based on the image expression of the underlying sentient beings and the homeland "Shanxi",which is full of humanistic feelings,as the basis of the regional carrier,cross-applies with the ethics discipline,and explores the realism image of Jia Zhangke according to the development of rural to urban areas.The ethical value in it.The image objectively reproduces the face of Chinese society in the transition period.In the process of modernization,the changes in material production materials collide with traditional ideology and culture,the combination of imaginary and real,the traditional ethical concept also faces transformation,and the ethical rules of the new era are constructed.Moral order.The expression of the image in the "new" and "old" changes is all about ethics.This paper consists of five parts.The first part is the introduction,which mainly includes the research reasons,the status quo,the meaning,the innovation points,the difficulties and the definition of related concepts.The second part and the third part analyze the ethics from the rural ethical expression and the urban ethical expression respectively.The concrete embodiment;the fourth part is Jia zhangke's representative ethics in the formation of representative multi-character types;the fifth chapter is based on the reflection and reflection of the entertainment phenomenon in the Chinese film market.This paper explores the ethical value of Jia Zhangke's films by literature analysis,case analysis and text analysis.Through the thinking of the ethical value in Jia Zhangke's film,he hopes to advocate and appeal for the positive trend of the subjectivity of Chinese film creation and the construction of social ethics.