A Study On The Adaptation And Representation Of Doll House In The New Period Of China

The doll’s house,also known as nara,is one of the social problem plays by the famous Norwegian dramatist henrik Ibsen.It is also known as the declaration of independence,which promoted the development of women’s liberation movement.It occupies a very important position in the history of European literature.The introduction of the May 4th movement into China played a direct role in promoting the formation,creation and development of modern Chinese drama.Also has the very profound influence to the Chinese literature enlightenment and the development.Taking the third plenary session of the 11 th CPC central committee as the endpoint of the new era,in the following 40 years(1978-2018),doll’s house was staged in Beijing,Shanghai and other places in China for more than 100 performances(repeated Tours),and different versions of the adapted works were put on the stage.Based on the national drama institute,Beijing people,Lin version,edition of Venus and the national grand theater "a doll’s house" edition of five different versions as the research object,in comparative literature "influence research" as the basic method,supplemented by reception theory,empirical research,methods of close reading,"a doll’s house" in the Chinese translation,adaptation,and play in the new period and the stage of Chinese modern drama creation and practice system,this paper discusses the enlightenment and reflection and study.This paper is divided into five parts.Chapter one focuses on the main research objects of the text,and on the basis of a comprehensive and detailed summary of the domestic and foreign academic research results on "a doll’s house",sorts out the context of adaptation and performance of "a doll’s house" from the new era to the present stage in China,and clarifies the value and significance of cross-cultural communication between Chinese and western drama.The second chapter,based on the realistic context,makes an in-depth interpretation of the adaptation of "a doll’s house" in the new era of China from the perspectives of cultural policy,the audience’s spiritual and cultural needs,the concept of drama and translation and communication,and tries to show the subjective and objective factors that influence the creation of adapted plays in different stages.Third part five versions as the focus,combined with the field of "a doll’s house" play director interview data,the paper mainly discusses thenational drama institute,Beijing people,Lin version,edition of Venus and the national grand theater "a doll’s house" edition of the director of conception and the present stage,aimed at to systematic sorting and expounds different versions.The fourth part,by exploring the origin,performance status,director’s conception and stage presentation of five different versions,summarizes the common characteristics of "a doll’s house" in stage performance in the new era of China.Conclusion part of "a doll’s house" for the development of China’s contemporary drama implications to think,think "a doll’s house" in the new era of accepting offers contemporary drama novel way of drama creation and performance model,and encouraged artists to focus to the classics,in the face to face with classic value and significance of thinking,to the spirit of the contemporary sublimation and soul purification.