Cao Ming’s Industrial Novel From 1940’s To 1960’s

With the help of the background of the times and the inspiration of literary policy,the development of industrial novels is in full swing.However,this is only a broad sense of cognition.In fact,the factor of the times is only a booster for the development of industrial novels,and more importantly,the writer’s own way of thinking and writing.Taking Cao Ming as a case study,she is famous as the ancestor of industrial novels.In the 1960 s,she wrote one after another,"the ancestor of Industrial Fiction".<Motive power>(1948),<the locomotive>(1950),<the wind break>(1959)three novels,and some other short stories.The party’s call directly affected her creation and the style of creation,and it was only on the one hand,and on the other hand,on the other hand,on the other hand,on the other hand,on the other hand,on the other hand,on the other hand,on the other hand,on the other hand,on the other hand,on the other hand,on the other hand It is not the only factor that the reflection of the literature and art policy is not the only factor,and the initiative of the writer’s individual should not be ignored.Return to the works themselves,landscape description,metaphorical techniques,is reflected in Cao Ming’s works of the common characteristics.Cao Ming is the only female writer in industrial novels.Compared with the male writers on the same subject matter,Cao Ming has different creative techniques.Therefore,this imagination has a certain connection with the writer’s gender identity.From the deep excavation of his works,Mao Zedong came into contact with modernity from Marxism.After the growth of the May 4th Movement,his theory of modernity was relatively mature,and guided the political and cultural road of modernity in China.Cao Ming’s industrial novel creation is carried out under the background of modernity.The modernity in the works is based on the city.In the background of factory and workshop,the formation of workers’ subjective consciousness and the transformation of leading cadres’ revolutionary to modernity can be regarded as the concretemanifestation of modernity,but the lack of modernity is also obvious,for example,the description of the city is not enough.Cao Ming’s thinking of modernity is inadequate,but she still insists on writing.Both creative consciousness,literary imagination,and industrial multidimensional representation condense the author’s personal thinking.Thus,to a certain extent,it improves the industrial novel’s singleness,stereotype and sociality.At the same time,it promotes the aesthetic characteristics of industrial novels.