A Study On The Writing Mode Of Urban-rural Relations In Local Novels In The New Century

Since the beginning of the new century,China's social structure has been stable in the ups and downs.In this process,the relationship between the city and the countryside has also experienced twists and turns.The creation of Local novels in the new century largely relies on the changes of urban-rural relations,and forms a variety of urban-rural writing models around different groups flowing between urban and rural areas.This paper classifies and analyzes the writing model of urban-rural relations in local novels since the new century,and explores the evolution process of China's urban-rural relationship in the new century from different writing models of urban-rural relations.The paper is divided into three parts: introduction,body and conclusion.The introduction first points out the writing model of urban-rural relations in contemporary Chinese literature and its significance.Secondly,it briefly analyzes the relationship between cities and villages in rural literature in different periods,and sorts out the development context of urban-rural writing models in modern and contemporary literature.Finally,it summarizes the characteristics of different writing models of urban-rural relations in local novels in the new century,clarifies the social and era background of the development of the writing model of urban-rural relations since the new century,introduces a review of researches on urban and rural writing patterns,and explains the research ideas,purposes,and methods used in this paper.The first chapter takes the model of “entering the city” as the main research object.The first section mainly analyzes the motivation of writers to choose the model of “entering the city” in their writing,and classifies them according to the different motives of the groups of entering city,pointing out the cultural consciousness and ideological dynamics of the writers' writing.According to the change of the narrated object,it is pointed out that the change of the concept of the group is expressed as “material survival” and “spirit entering city” in the text.The second section starts with the writer's writing conception,and analyzes the consciousness of “urban superiority and rural inferiority” under the background of urban-rural dual opposition.By analyzing the city's attitude towards the city entrants from rural and the self-cognitive of the cityentrants.It is pointed out that “urban superiority and rural inferiority” as an urban and rural ideology influences the shaping of the characters and writers' ideas.The third section discusses the aesthetic value of the “entering city” model.By analyzing the presentation of the fate of those who enter the city under the model of “entering the city” and the excavation and exploration of the contradiction between urban and rural areas.It is proposed that the “entering the city” model in the local novels has formed a tragic aesthetic feature.The second chapter takes the “returning home” model as the main research object.The first section analyzes the formation of the model of “returning home” and the writer's writing ideas.It mainly focuses on two different ways of returning home,namely “escaping from the city” and“returning home by spirit”.Based on the different value choices of the returning groups,it reflects on the literature and social factors behind the model of “returning home”.The second section starts from the way of text narration.According to the emphasis of “returning home”model on the rural society under the binary opposition between urban and rural areas,it is pointed out that the description of poetic rural in the text has the color of “idealization”.The third section puts forward to construct the aesthetic characteristics of labor aesthetics in the model of “returning home”.The third chapter takes “wandering in urban and rural areas” as the main research object.In the first section,according to the group round-trip in the model of “wandering in urban and rural areas”,it is proposed that “the city that cannot enter” and “the town that cannot return” should be formed in the text.On this basis,it presents the emotional fluctuation and spiritual change caused by the double rootlessness of the drifter in the city and the countryside.The second section starts with the writer's narrative perspective.It is pointed out that under the anxiety of self-identification,wanderers gradually become the embarrassing identity of “rural people in the city” and “urban people in the country”.The third section abstracts the aesthetic concept of “new homesickness” under the “double dilemma” from the “wandering in urban and rural” model,and demonstrates and analyzes it.In the round-trip between the city and the rural,the drifter shows a contradictory state of coexistence of “loving home” and “abandoning home” to the local society,and forms the aesthetic feature of “new homesickness” under the double predicament in the text.The fourth chapter takes “urban-rural integration” as the main research object.The first section points out that the model of “urban-rural integration” has gradually formed scale according to the change of writers' Creative Tendency and the appearance of their creative consciousness.Starting from the urban-rural relationship in the process of modernization,this paper points out the social reality of local modernization and the development model of urban-rural integration,which together constitute the “urban-rural integration” model in the text.The second section proposes that binary urban-rural relations have gradually been replaced by multiple coexisting urban-rural relations in the “urban-rural integration” model.In the text,the change of concept is reflected in the transformation of the description of the development of rural modernization from the surface space change to the culture and concept.In the third section,according to the model of “urban-rural integration” to excavate and reproduce the rural tradition.The author puts forward the improvement of the simplification and homogeneity of the local novels' aesthetics in the new century.At the same time of carrying on the traditional aesthetics in the local novels,it has carried on the new exploration and the attempt,and provided the new development direction for the local novels.The conclusion part summarizes the main purpose of the research,expresses the core point of the paper again,shows the demonstration results,points out the internal meaning and existing problems of different writing models of urban-rural relations in the local novels since the new century,and puts forward the design and prospect for the development of the local novels in the future.