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The Inspiration Of The Spirit Of "Pursue The Inner Spirit Of The Picture" In Jing Hao's Kuanglu Picture To My Study And Creation

Posted on:2021-02-01Degree:MasterType:Thesis
Country:ChinaCandidate:C K ZhuFull Text:PDF
GTID:2415330602475058Subject:Arts
Abstract/Summary:PDF Full Text Request
In the graduate stage of study,it is mainly inspired by Jing Hao's theory and his creative process.Jing Hao is in the critical period of the transition from Green setting to Ink painting.Both techniques and theories of Ink painting need to be improved.In the face of the current turmoil,Jing Hao lives in seclusion in Taihang.With mountains and forests as his companion,he has realized the profound significance of the performance of Landscape painting through his own practice,created the Kuanglu painting,summarized the record of “Bifaji” in his later years,and put forward the "Theory of Tuzhen" to really push ink painting to China The main position of painting has an important leading role for later generations.This paper is a summary of the author's study and creation in the graduate stage.This paper is divided into four chapters.The first chapter is the introduction,which mainly focuses on the purpose,significance,research status and research methods of the spirit of "Tuzhen" in Jing Hao's Kuanglu picture.The second chapter is the study of Jing Hao's theory of "Tuzhen",which mainly studies the "Bifaji" with "Tuzhen" as the core,This chapter systematically studies Jing Hao's painting theory,so as to deeply understand the concept of Jing Hao's landscape painting creation and lay a theoretical foundation for the author's landscape painting creation.The third chapter is the picture analysis and copying experience of Kuanglu picture,which is divided into two parts.The first part is to grasp the whole picture by copying Kuanglu picture.The second part is to analyze the composition form and the use of brush and ink of Kuanglu picture by copying,so as to connect Jing Hao's theory with his works.Through the process of combining theory with practice,we can have a deeper understanding Grasp Jing Hao's painting spirit.The fourth chapter is the summary of creation,which is the core chapter of this paper.It is divided into creation practice and creation summary,In the part of creation practice,it summarizes the study of copying,sketching,brush and ink experiment and modern painting expression form,which is the premise of graduation creation;In the part of creation summary,it mainly summarizes the selection of creation theme,the application of creation techniques and the problems encountered in creation.The last part is the summary part,which summarizes the inspiration of the spirit of "Tuzhen" in Jing Hao's kuanglu painting to my study and creation.This paper combines the research of the relevant literature of Jing Hao's Painting theory,the research of the reproduction of Kuang Lu's painting and the design and practice of creation.
Keywords/Search Tags:pursue the inner spirit of the picture, the theory of "Bifaji", a copy of Kuanglu's picture, pen and ink test, creative process
PDF Full Text Request
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