An Analysis Of "The Stranger" In Liang Hong's "Liang Zhuang Series"

Liang Hong's China in Liangzhuang and Out-of-the-way Liangzhuang as a group of companion piece,have a greater influence in the field of non-fiction writing.Therefore,this paper takes the Liangzhuang series works as the main research text,and uses the methods of text close reading and comparison,combined with the narrative theory to analyze and discuss the The stranger in Liang Hong's works.The stranger is an important writing object in the underlying literature.In the local literature of the 1920 s and 1930 s,there have been such images of The stranger,including Lu Xun's Hometown as a typical representative.The stranger at that time mainly referred to young intellectuals who left the countryside and entered the city to accept advanced ideas.With the implementation of the reform and opening up policy and the rapid development of urbanization,the connotation and extension of the stranger are also expanding,not only includes the former intellectuals,but also workers,intellectuals,businessmen and so on.About the stranger in the Liangzhuang series works,firstly,we must proceed from the concept of the stranger.In the text,the author compares the different understandings of the stranger in the East and West,and then sums up the concept of the stranger in the Liangzhuang series works,that is,based on the villagers and geographical location of the hometowns and emotional relationship between them and their hometowns.The stranger in the works are divided into: strangers who are out of town,strangers who are in the land,and strangers who return to their hometowns.Since the rural people entering the city are only temporary,there are only a kind of relationship that they are in the city,but not belong to it,so these strangers are characterized by temporary,non-rooted and complex.Secondly,it is necessary to study the presentation mode of strangers.First,through their living environment in the city,recorded pictures,person self-reports,changes in the details of the eyes or expressions,personal memories of past events,etc,to present their stranger life situation;The second is to observe the interrelationships among people in daily life and find that people rarely go when they are okay.Therefore,the ethical crisis they face in life mainly includes:the relationship between strangers and hometowners,the relationship between strangers andlocals,and the internal relationship between strangers.Third,in order to cope with the various crises facing the city's survival,these strangers began to work hard to find a way to redeem to obtain spiritual or spiritual comfort.Specific ways of salvation include self-redemption,group redemption,and spiritual salvation.Thirdly,it is necessary to pay attention to the homeland feelings of the strange.Because in the city,they live a life of “to be a guest and a home everywhere”,not only do not enjoy the welfare and benefits of the local citizens,but also have no sense of identity and belonging.Therefore,from the moment they left their hometown,they have begun a new search,eager to find a real home,only there can they feel safe and practical.Finally,it is also necessary to interpret the reality foundation generated by the strangers.As a special group,their production and development are not only closely related to the economic and political policies of the society,but also inextricably linked with the writer's own personal experience.Therefore,on the basis of previous studies,this paper breaks through the fictitious restrictions by referring to and collecting a large amount of data,and cuts in from the non-fictional point of view,and presents and analyzes the difficult situation and the actual spiritual distress of the strangers in the city from many aspects.This has important practical significance in the underlying literary writing.