The Style Of Piano Accompaniment In Han Folk Songs

The paper involves three concepts: first,the exploration of the singing style of Han folk songs.The style of Han folk songs is reflected in the following aspects:classification,language,human customs,specific musical instruments,etc.the origin of Han folk songs in China can be traced back to the book of songs.In thousands of years of time changes and historical precipitation,people's exploration of Han folk song singing has never stopped.Different historical periods will inevitably form a specific folk song singing style and form;the second is the cooperation between Han folk song singing and piano accompaniment.Piano spread to China only nearly 200 years ago.The Chinese vocal music culture has introduced the western art song's singing form-Piano,vocal music and poetry Trinity.Piano is not a simple foil and foil,but together with art songs to shape the music image,is an indispensable organic and important part.The Han nationality folk song is the vocal music student must study and master,therefore,using the piano for the Han nationality folk song accompaniment is also a special art form in the Chinese vocal music;the third is the Han nationality folk song singing piano accompaniment playing technical essentials,the article attempts to use the reasonable piano playing technology to reflect the piano in the Han nationality folk song accompaniment style embodiment.Han folk songs can be divided into three types: folk songs,chants and minor.Bugle is a kind of singing style when people are working.Its main singing mode is "one leader and one leader".When this form of singing is moved to the stage of vocal music,it usually performs into two situations.The first situation is that one singer will play two roles,for example,Hubei folk song "urging Dong urging".Both partners should present the state of "leading" and "harmony" to achieve integration in strength,texture and voice range;the other situation is that "leading" is vocal music,and "harmony" part It is replaced by piano,which puts forward very high requirements for the cooperation between piano and vocal music.This paper will focus on the cooperation of "one leader and one crowd" according to different labor intensity.Most of the folk songs are rough and loud,mainly solo.One of the most distinctive features of folk songs is "free rhythm",that is,the folk songs often adopt asinging method of free extension.So,does freedom mean that every word and sound can be extended at will? This paper will focus on how the singer and the piano accompaniment cooperate in the part of singing,so as to achieve "the form,the spirit and the spirit are not separated".Minor is the most popular category in Han folk songs.According to the different dialect areas,there will be great differences in the pronation of minor in different areas.Minor tunes often have beautiful melody and wide spread.The most important thing is that they are usually accompanied by musical instruments.This paper will focus on how to restore the timbre and playing method of musical instruments as much as possible through reasonable technical means.In order to stand among many vocal schools in the world,Chinese vocal music must firmly grasp its "fundamental"-folk songs.Folk songs of different nationalities and countries are unique and irreplaceable.Therefore,in the special form of "Piano and vocal music",piano also needs to listen,watch and ponder more about the style of folk songs.Based on the historical documents of Han folk songs,the recorded materials and some practical experience I have summed up in my study,this paper will explore the style and characteristics of Han folk songs in piano accompaniment.Such an attempt can not only provide more effective theoretical support for the reasonable arrangement of the staff version of folk songs,but also provide some effective performance and cooperation methods for Piano accompaniers in the accompaniment of Han folk songs.