| The creation of Chinese female opera is mainly concentrated in the Ming and Qing Dynasties,which is an important part of the prosperity of opera culture in the Ming and Qing Dynasties.Female playwrights show their real living state and spiritual world in the way of drama creation,and express the budding female subject consciousness.Wu Zao(1799-1862),a famous female playwright in the Qing Dynasty,?Qiao Ying?(other name?Yin Jiu Du Sao Tu?)is the outstanding drama works in the expression of women's consciousness.It contains advanced gender consciousness and universal value of life thinking,which is worth our thinking.For a long time,the study of wuzao mainly focuses on the sorting of his life and friends,and the comments on the two poetry anthologies of <XiangNan XueBei > and<Hualian >.The systematic research on the gender consciousness of Qiao Ying is still insufficient,lacking of new theoretical vision.Meanwhile,Taiwan's 2006 adaptation of <Qiao Ying> to Kunqu Opera,<Boat Fantasy for Mona Lisa>,reappears its stage performance which has been lost for more than 100 years,and also has the value of comparative study.This paper is divided into three chapters to explore the two systematically.The first part of the introduction describes the origin of this study,clear research purpose and value.Then it summarizes Wu Zao himself and the introduction of <Qiao Ying>,makes a brief review of the current research situation,explains the writing ideas and research methods of this paper,and finally briefly introduces the script adaptation and stage replay of <Qiao Ying> in Taiwan.The first chapter will focus on the content of< Qiao Ying>,through the method of close reading of the text,with gender consciousness as the research axis,from the change of the writer's identity,Xie Xucai's image,singing language,clothing,writing style and other aspects of a systematic and in-depth text analysis,to explore and sort out the feminist elements in <Qiao Ying>.Analysis of its leading genderconsciousness and beyond the boundaries of gender ideological resonance.In the second chapter,we use interdisciplinary literature research methods to explore the internal relationship between space and literature,pay attention to the space value of the play,explore and extend the cultural politics,analyze and criticize the metaphorical meaning and alienation caused by typical space symbols,and at the same time,explore the resistance and resistance space under their oppression,and then give new meaning to space.The third chapter is mainly divided into two parts.The first part is a comparative study and intertextuality study based on Taiwan's revised drama <Boat Fantasy for Mona Lisa>,analyzing the strategy of revision ratio and the emotional experience of re creation,and evaluating the structural level of "aesthetic feeling".The second part is to explore the inheritance and new interpretation of the adapted drama to the female consciousness in <Qiao Ying>,and to explore the influence and experience value of the female subject consciousness contained in <Qiao Ying> on the re creation of contemporary feminist literature.The conclusion part summarizes that WuZao's gender consciousness still has progressive significance in today's society.It also introduces the adaptation of <Qiao Ying> and the modern significance and value of stage reappearance,evaluates the value of Taiwan experimental Kunqu opera to the modernization of classical Kunqu Opera,and makes a preliminary prospect of the modernization of Chinese opera literature based on the experience of Taiwan experimental Kunqu Opera. |
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