A Comparative Study Of Female Images In Ming And Qing Paintings And Ukiyoe Paintings

the source of inspiration for artistic creation is always closely related to the environment of the Times.The cultural trend of the society at that time and the aesthetic taste of the public will be reflected in the artistic style and style of this period,as an eternal and everlasting painting theme,Women Bear The meeting between the cultures of the two countries,and have made their own interpretations,there are many similarities and differences in the form of technique,the subject of content,the language and form of expression,the aesthetic consciousness and interest.This article mainly starts from the inheritance relationship between Ming and Qing Dynasty printmaking and ukiyo-e painting art,through the Comparative Study of the two countries' female thematic paintings in terms of the expressive language forms and visual language similarities and differences,the different aesthetic venation of the two countries is analyzed.This paper first sorts out the inheritance relationship between Ming and Qing printmaking and ukiyo-e painting,probes into the development stages and evolution rules of female thematic painting in the same period of the two countries with the clue of time,on this basis,the author analyzes the similarities and differences between the Ming and Qing Painting and ukiyo-e painting in terms of techniques,colors and composition of the visual language "female image",therefore,it touches on the different cultural bearing and feelings of female thematic paintings in the two countries,and tries to find out the spiritual venation and reasons for the vigorous development and wide spread of Japanese ukiyo-e painting.Through a Comparative Study of the "female images" in the paintings of the two countries,it is found that the Japanese nation,on the basis of learning and absorbing the Chinese painting art and the Western painting art,actively merges its own aesthetic consciousness and taste,he took the road of painting with national characteristics with an innovative image,giving inspiration to the developing contemporary Chinese painting art,and treating foreign culture with the attitude of "sublating" while retaining the connotation of Chinese painting,make continuous efforts to create more resplendence for Chinese painting art.