Analysis Of The Artistic Characteristics Of The Beauty Painting In Ming And Qing Dynasties

The Ming and qing dynasties was a peak period for the development of the Beauty paintings.Under the influence of social atmosphere,aesthetic and culture and ideology,Beauty paintings have formed a unique artistic style,and the expression style and creation program of beauty paintings have been perfected.Yongzheng twelve beauties figure is created in a set of twelve beauties screen painting of late Ming dynasty,by anonymous court painter,painting beauty and elegant virtuous,fill in bright-coloured and harmonious,entourage of meticulous neat,between Ming dynasty and early qing is representative of traditional Chinese paintings.At present academia for traditional Chinese painting style has the certain research,but most of the traditional Chinese painting in the tang dynasty as the center of gravity,however,and in the Ming and qing dynasties of the thesis is relatively rare in a viewpoint of painting on the entire historical period of the characteristics of the traditional Chinese painting art.In this paper,on the basis of image study,using the research methods such as fine arts,aesthetics,sociology viewpoint of the yongzheng twelve beauties figure,discussing the characteristics of the Ming and qing dynasties traditional Chinese painting art expression,and its artistic characteristics form the aesthetic style,social culture and the cause of the psychological level such as in men.This paper first analyzes the composition of the picture of the twelve beauties of yongzheng,and analyzes the features of the picture from three perspectives of composition,character modeling and color,and provides a basis for the subsequent elaboration.On this basis,by comparing the paintings of the twelve beauties of yongzheng and the paintings of lang and jiao,the characteristics of the fusion of Chinese and western paintings were analyzed.Then,the paper compares the pictures of the twelve beauties of yongzheng and the Beauty paintings of the qing dynasty,and discusses the characteristics of the morbid beauty of the Ming and qing dynasties and analyzes the reasons.Then put the traditional Chinese painting in the Ming and qing dynasties workscomparing with former generation of traditional Chinese painting works,from painting depicting object has a point about the nature and the secularization of the mythological secularization tendency of traditional Chinese painting in the Ming and qing dynasties,and explains the yongzheng twelve beauties figure,depict the temporal metaphor of the item.Finally through to the yongzheng twelve beauties figure in the picture by replacing ink,poem and picture corresponding and the yongzheng beauty figure 12"and" beauty "and so on literature contact three Angle discusses the bookish characteristics of traditional Chinese painting in the Ming and qing dynasties.In this way,the artistic characteristics of Beauty paintings in Ming and qing dynasties were more deeply and concretely recognized.