The Application Of Structural Change Principle In Contemporary National Chamber Music

This paper takes Zhu Shirui's "water thinking ?" and Guo Wenjing's "Zhuzhi Ci"as examples to make a detailed analysis,and uses the excellent creative experience of predecessors for reference,applies this principle of structural speed change to the author's own musical work "Xiaowang of Xiangjiang River",and analyzes his own creative experience.The article is divided into three parts:introduction,this theory and conclusion:the introduction part gives a brief overview of the principle of structural speed change.There are four chapters in this thesis:the first chapter mainly introduces the concept of structural change principle and the similarities and differences between the structural change principle and the Western stylized structure principle;the second and third chapters discuss in detail the common use of structural change principle in Chinese contemporary national chamber music works,as well as the personalized layout and treatment.After learning from the application concepts of the two representative works of Shuixiang ? and Zhuzhi Ci,the author created the National Chamber Music Xiaowang of Xiangjiang River Based on the principle of structural change,and analyzed it in the paper;the fourth chapter mainly expounds the application value and cultural connotation of structural change in Contemporary National Chamber Music Works.