Research On The Creation Of Color Prints In The Seventeen Years Of The Founding Of The People's Republic Of China(1949-1966)

During the 17 years from 1949 to 1966,it was a turning point in the creation of Chinese printmaking.As the country ushered in a new political system and a new social life,the emerging prints ushered in a new historical mission.This thesis promotes the reasons for the development of color prints from the perspectives of social background,literary policy,aesthetic needs of the people,and analyzes the reasons for the development of color prints.From the perspective of print ontology language,this paper explores the use of oil-printed woodcuts and watermarks.The gains and losses in the development of major color prints.This paper is composed of introduction,text and conclusion.The main text is divided into four chapters.The first chapter is an overview of the color prints from 1949 to 1966.It analyzes the phenomenon of color prints and the representative writers and works from the exhibitor data of the national print exhibitions..The second chapter mainly analyzes the multiple factors that promote the practice of color printmaking.It points out that under the influence of new social life era and new literary policy,the participation of printmakers and the improvement of people's aesthetics are the reasons for promoting the prosperity of color prints.The third chapter focuses on the ontology language architecture and application of color printmaking.The fourth chapter is the revelation and thinking.It analyzes the relationship between the prosperity of color prints and the new society,the impact on the subsequent print creation and the limitations of its own existence.