A Study Of Li Baoqun's Drama From The Perspective Of The Bottom

Starting from the perspective of the bottom,this paper makes a systematic analysis of the character image,narrative content,spiritual connotation and aesthetic implication in Li baoqun's realistic drama works.Nowadays,it is not uncommon to see literary works with the bottom people as the center of creation,but there are not many artistic works with the bottom people as the main object of creation.Li baoqun's drama works mainly describe the small people in the background of a large era.These plays reflect the social reality in different aspects and have the power to shock the soul.The playwright insists on obtaining creative inspiration from practice.With Li Baoqun underlying drama as the research object,can think direction of realism drama next,Li Baoqun drama works with distinctive personal characteristics,the playwright creation character each are not identical in different periods,but whether it is a drama of the characters set representation of the kernel's writing,he will be sincere and courage reflected in his works,this article through the concrete text study,further exploration of the audience's preferences and to explore how the playwright should take on social responsibilities.The thesis has three parts:From the perspective of the characters,the characters in different characters summarizes relationships,raises the writer center is built around the bottom of these different areas of the relationship between different underlying the constructed Li Baoqun portraits of the characters in the play,from the analysis of characters of Li Baoqun how the "typical" characterization of the typical environment of vivid.This paper analyzes the classification of characters,takes the stories of daily life as the subject matter,and divides them into the relationships among the characters in family,work and daily life.It focuses on showing the different problems of the characters in different environments,and proves that the stage images that are deeply rooted in people's hearts are shown by the relationship between the characters.At the same time,from the three perspectives of "family","collective" and "society",this paper combines the practical activities of characters with different characters,and makes a basic division of the relations between the bottom characters by the classification mode,so as to truly expand the daily life of ordinary people.Starting from the aspects of drama structure,language and theater form.The drama language that is close to the masses is Li Baoqun's characteristic.Dialectic lines make the drama language intimate and natural.The addition of songs highlights the overall atmosphere and reflects the musicality of drama as a comprehensive art.For the change of drama structure,Li Baoqun combined the events in different forms on the stage.Li Baoqun's small theater drama not only reflects the further improvement of the writer's creative level in the form of performance,but also a new exploration of the writer's realism.Li Baoqun's small theater drama is described as a separate section.Li Baoqun's small theater drama is a realism drama Find a new way out in China.Based on the script,the thesis elaborated Li Baoqun's personal creative style in detail,and at the same time explored Li Baoqun's shaping of the details of the people at the bottom in terms of creative skills.The playwrights use the bottom figures as their creative center.Years of life experience and deep into the lives of the bottom people make Li Baoqun's observation of the small people in the large environment extremely detailed.Li Baoqun's compassion and social responsibility as an intellectual are also reflected everywhere in the play.Li Baoqun did the drama around "people",caring for the dreams and dignity of the people at the bottom.Li Baoqun wanted to elucidate his thinking about human nature through the event itself,breaking through the single mode of character personality,and the multi-faceted nature of humanity began to be staged on the stage.At the same time,the urban and rural areas are analyzed separately as a dual structure.In the drama,how the urban and rural people make a living while safeguarding their rights,Li Baoqun called for paying attention to the voice of the bottom people and paying attention to the difficulties and struggles in the lives of the bottom people This kind of compassion makes the writer's works have feelings and temperature.Through a comprehensive analysis of the character image,writing skills,and ideological connotation of Li Baoqun's drama,the research value of Li Baoqun's realism drama is considered.In a market economy environment,it is not easy for the development of drama itself to be well-received.Moreover,Li Baoqun 's plays not only satisfy the appreciation of the masses,but also pay attention to the improvement of his own drama creation level.As the creator of drama art,they play a decisive role in the selection of works and the characterization of characters.Therefore,analyzing the works of Li Baoqun in different periods can also feel the growth and change of dramatists from the play.Today,we still hope that the problems encountered in the lives of the bottom-level people will unfold in the form of art,which will arouse widespread concern and thinking in society.