On The Interestism Of Fei Ming's Later Novel

Fei Ming's style of writing is obscure and refreshing,referring to him,people mostly think of some early works of pastoral style,but there is a big distinct between Fei Ming's late novel and early period,as if from a fugue dream suddenly foot on the earth,style also have a charm.Fei Ming's works are full of interest.At first glance,there seems to be a sense of looseness of large and small pearls falling into the jade plate.Its image is disordered and its meaning is messy.After careful deliberation,however,there is an internal line--interest,during the process,the beads with ambiguous references are strung together.In the context of serious literature as the mainstream in modern China,Fei Ming does not go with the stream,but resolutely chooses the path of interestism,which is the embodiment of his adherence to himself and resistance to nothingness.Fei Ming with autobiographical novel The biography of Mr Mo Xuyou and After Mr.Mo Xuyou took a plane,exactly reflect the spirit of exploration and the interesting position of Fei Ming's later novel creation.Therefore,this paper mainly focuses on close reading of the text,combined with literature review,comparative study,and summary and induction.By analyzing the unique interest in art creation of Fei Ming's later novels,to further explore the author behind the choice of interestist creation hidden the overall aesthetic intention and the purpose of life.This paper consists of an introduction and four chapters:The first chapter mainly discusses a distinctive gout in Fei Ming's later novels: the style of scribbling.The reason lies in the fact that,on the whole structure of the novel,it is a fragmented content while wearing the garb of chapter and style.The second is that his language itself is European and ancient,complicated and mixed,and there are gaps and jumps between sentences.The third is the confusion and mix of time view.The second chapter is mainly about the fun allusions.A very interesting phenomenon in the usage of Fei Ming's allusions is that many of his allusions only use superficial meanings,regardless of the connotations of the allusions themselves.In addition,use allusions for similes and metaphors.What's more,part of the code,part of the renovation,on the basis of the choice of the original meaning,give away some meaning,and add some meaning.The third chapter mainly talks about the irony power under the thought of Fei Ming's interestism.First of all,The irony of Fei Ming's later novels is not only humorous,cynical and casual,but also an ironic interest to resist the nihilistic reality in the context of that era.Mr.Trumpeted ridicule,all into the article,the surface of madness,but in fact serious thinking about life,serious life;Secondly,the structure of polyphonic novels is used for irony,and various independent consciousness and values are opposed and raised simultaneously.Finally,Fei Ming is good at creating situations,which makes readers grasp the meaning behind irony unconsciously from the overall intuition.The fourth chapter mainly explores the unique value of Feiming's later novels.First of all,the heavy era has created the serious mainstream of literature.Fei Ming adopts the opposite attitude of gout writing,which is a kind of resistance to the current situation of life.Secondly,the interestism of Feiming not only flows the elegance of Oriental classical literature,but also permeates the nihilistic and absurd gray experience of western modern literature.Finally,is opened up a new aesthetic taste for the later Beijing writers.