Environmental Context Mood

Jingxing Lahua spread in Jingxing county,Shijiazhuang city,Hebei province,China,category is the north yangko.She is both elegant and deep,both strong and soft,both warm and bleak,its unique charm,rich local flavor,deep connotation,rough and delicate artistic characteristics,full of expression of the dance and dance rhythm,deeply loved by people.Jingxing Lahua according to the dance distribution area and performance form is mainly divided into Dongnanzheng Lahua "six contract spring",Zhuangwang Lahua "sell wool",Nangudi Lahua "small busking" three typical style schools,is one of the well-known folk dance in Hebei province.Jingxing Lahua originated from the street square celebrations of folk assemblies,festivals and temple fairs in the late Yuan and early Ming dynasties.It has a long history.Its movements are mainly characterized by "shake the shoulder","turn the wrist","suck the leg","twist the arm","roll the foot",forming a rigid,soft and rough artistic style.In modern times,Jingxing Lahua with the support of the state and the government,through Jia Zuoguang and other dance artists continue to excavate,collate,inheritance and innovation,is now known throughout the country,in 2006,Jingxing Lahua was listed as the first national intangible cultural heritage projects,become a beautiful flower on the Taihang mountain.Jingxing Lahua since the 21 st century in the history's dust into the modernization,ecological forms of culture and the aesthetic idea of modern distance,habits and customs,the ancient Lahua cultural form,traditional dance characteristics is gradually replaced by the modern civilization,the transformation of urbanization continues to increase,the impact of the market economy and the old actor in order to make garland serious brain drain problem.As the native Yanzhao children,how to use the professional knowledge to Jingxing Lahua,a national intangible cultural heritage in the contemporary inheritance and protection to make a contribution,is the author's research purpose of this topic.The author's research on Jingxing Lahua is mainly divided into three stages: the first stage is the collection,collation,induction,summary of the existing literature;The secondstage of Jingxing around the Lahua three field work,collected a lot of valuable first-hand video materials;The third stage is to summarize the first stage literature and the second stage fieldwork data,and combined with the previous two stages of research,paper writing.Structure in the process of writing the paper for the first time to use Labanotation of Jingxing county three different areas more representative Lahua dance movements,the Dongnanzheng,Zhuangwang,Nangudi the main action of Jingxing Lahua stereo intuitive dance notation,broke the past the dance action described in words and pictures to Lahua way of traditional records;In addition,the author realized that most of previous studies of Jingxing Lahua staying at the dance movements form level,and is inseparable from the behavior of Jingxing Lahua it the root of the cultural soil,it is closely connected with culture,so the study of this thesis,it is through to Labanotation recorded by analyzing movement vocabulary,Jingxing Lahua,in turn,on the theory of cultural anthropology and dance anthropology put Jingxing Lahua in its cultural context,using the British anthropologist Malinowski,the structure of the functionalist anthropology research method was carried out on the dance form of culture,Jingxing Lahua definitions,To find the historical roots of the inheritance and development of Jingxing Lahua and its laws of inheritance,so as to reveal the logical relationship between it and the cultural memory,cultural identity and cultural regeneration of Jingxing area,as well as the deep social cultural significance contained in the dance movements of Jingxing Lahua.The first part of the introduction: in the narration of the thesis expatiates the meaning and purpose,and the research status of Jingxing Lahua,dynamic research at inland and abroad and the research methods for further elaboration,trying to apply anthropological field research method to describe the cultural environment in the area of Jingxing,reapply Labanotation of Jingxing Lahua movement records,the study methods of anthropology structural functionalism and Labanotation,combining ontology research ontology by dancing and anthropology interdisciplinary perspective to analyze the Jingxing Lahua in contemporary inheritance rule and cultural connotations.The second part of the environment of the ethnography paint of Jingxing Lahua: the author of three different types of Jingxing area Lahua geographical location,ecological environment,religious practices,rituals and so on carries on the detailed investigation,using the theory and methods of anthropological fieldwork,clarify the action language of Jingxing Lahua and Jingxing area view of the universe,space-time,the cultural logic of relations between values.For the further objective record Jingxing Lahua dance movement form to do accumulation.Action morphological characteristics: the third part of the context,Jingxing Lahua structure of this chapter,the main use of Labanotation in Jingxing county Dongnanzheng Lahua of the "six contract spring",Zhuangwang Lahua "sell wool",Nangudi Lahua "small to busk" to action records and depicts,through the dance movements,dance posture,clothing props,music of detailed records,three-dimensional presents different types of dance moves,for the fourth chapter analysis the Jingxing Lahua and Jingxing people's cultural concept,behavior,and its cultural function between inner link do accumulate.Jingxing is not only a folk dance art that uses the body as the medium,but also a social custom and cultural value that uses the movements as the symbol to convey the feelings of ethnic groups.In this chapter,the movement symbols of the three different schools recorded by Labanotation are put back into the cultural context to interpret,and the historical and cultural connotations contained in the dance movements of Jingxing Lahua are analyzed.The movement elements of various parts of Jingxing Lahua are interpreted in a broader context and historical tradition.Finally Jingxing Lahua and Jingxing people's cultural concept,cultural memory,cultural identity and cultural regeneration symbiosis at the same time,behind the Jingxing Lahua movement of the deep social and cultural significance and symbolic significance of the evolution of analysis and discussion.