Research On Palace Engravings In Qing Dynasty

At the beginning of the Qing dynasty,Kangxi banned the popularity and dissemination of Ming novels and opera illustrations,resulting in the sudden decline of graphic illustrations of novels and operas."Picture of longevity celebration" was born at this time,is a documentary print,is also the ruler to publicize the results of the rule,the enlightenment of the people's meticulous masterpiece,it is well made,strict,grand scene,a large number of characters,can be regarded re of longevity celebration",to "The first collection of longevity celebration" at the beginning of the text content is complementary,discuss represented by"Picture of longevity celebration" in the early Qing dynasty palace art style characteristics,cultural meaning and social meaning,and speak these on history of woodcut the macro framework,on the one hand,perfecting the current research of "Picture of longevity celebration",makes every effort to complete a relatively perfect system,on the other hand,"Picture of longevity celebration" for the future study and the early Qing dynasty palace art provides a new Angle.The first chapter studies the origin and content of the compilation of "The first collection of longevity celebration".Firstly,the author analyzes the reasons for the compilation of "The first collection of longevity celebration" from the perspective of the celebration of the emperor's birthday,the political nature of the imperial classics,and the emperor Kangxi.Secondly,the author combed the subsidiary text and part of the main text of "The first collection of longevity celebration" to understand the specific issues before and after the celebration on March 18 in the 52 nd year of Kangxi.Finally,from the "Picture of longevity celebration" birthday celebration point scene,the honour guard,commercial transaction scene and other specific image content to understand the emperor's experience from the day before the official celebration back to the Changchun garden grand occasion and the social conditions in and out the city in the late Kangxi period.The second chapter studies the painting and engraving of wanshou shengdian map.Through the version of "Picture of longevity celebration",the changes of the painter and the engraver,the relationship between the painting results and the painter and the royal aesthetic was studied.First of all,from the "Picture of longevity celebration" video version and drawing process.Secondly,the author analyzes Wang Yuanqi,the general director of "Picture of longevity celebration",and Leng Mei,the leading painter,and studies the relationship between painters and works in the painting academy of the Qing dynasty through their artistic growth path.Finally,the author analyzes the life of the engraver Zhu Gui and the style of his works,and studies the style changes of palace prints in Qing dynasty.The third chapter is the key part of this paper,which mainly studies the art style of "The first collection of longevity celebration"."Picture of longevity celebration" vividly depicts the longevity celebration spectacular situation,and with detailed text,represents the highest level of the Qing dynasty hall of martial arts engraving,both image narrative,decorative and lyrical.On image narrative: the grand and subtle combination of "spatiality" and "temporality" in "Picture of longevity celebration" has a combination of dynamic and dynamic,rhythmic ups and downs,climaxes repeatedly,full of narrative characteristics of rhythm.On the technique of expression: the long volume form of wanshou shengdian diagram provides the material basis for the spatial and temporal viewing and painting experience of the viewer;The horizontal composition,bird's-eye view and scatter perspective of the picture provide technical support.The space unit or internal frame in the picture,through a series of concealment,onnection and integration constitute a clever design,interlocking documentary masterpiece.On image decoration: from the perspective of macroscopic frame,mesoscopic collocation and microscopic decoration,this paper analyzes the unique collocation of macroscopic frame,real scene and spot scene or pattern combination as well as the fusion of Chinese and western techniques.On lyricism: through the analysis of the expression and political nature of the image elements,the author studies whether the expression of emotion in the vivid scene,private or public space "The first collection of longevity celebration" and conforms to the royal aesthetic expectation.The fourth chapter studies the sense of imperial power in the first collection of wanshou shengdian.Through the study of the symbolic expression in the image of "The first collection of longevity celebration" and the record of emperor Kangxi's governance in the text,the author analyzes the different methods of the work to show its class and the consciousness of imperial power in many aspects.This paper mainly focuses on "Picture of longevity celebration",supplemented by the text of "The first collection of longevity celebration" and other palace prints before the late Kangxi period of the Qing dynasty,and studies the style characteristics,cultural implications and social implications of palace prints in the late Kangxi period of the Qing dynasty mainly based on "Picture of longevity celebration".