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The Image Reoresentation Of The Force Of Nature Series

Posted on:2021-03-11Degree:MasterType:Thesis
Country:ChinaCandidate:Y F LiuFull Text:PDF
GTID:2415330611488645Subject:Art and design
Abstract/Summary:PDF Full Text Request
Since the middle of the 20 th century,due to the influence and penetration of modern art concepts,modern ceramic art has emerged as an independent art form.The development of modern ceramic art cannot be separated from the influence of national and regional unique culture and aesthetics.It represents the negation of traditional culture,and the response is to seek development on the basis of tradition.In traditional Chinese plastic art,form,image,and spirit are inseparable.Freehand brushwork is used in Chinese painting.It is widely used,but artistic creation and aesthetics are not restricted to the form of Chinese painting.We can still combine freehand and imagery concepts with modern ceramic art creation.Combining modern art concepts with traditional Chinese cultural and artistic connotation,taking the initiative to take root in national culture,absorbing the nutrients left by traditional Chinese art,inherit the tradition Freehand spirit and imagery concept not only help us to deepen our understanding and exploration of traditional culture,but also help local pottery artists to create art works based on their own national cultural characteristics.Through the "Nature Power" series of works,it explains the concept of personal creation,explores the relationship between tradition and modernity,in order to sort out the theoretical views of personal creation.
Keywords/Search Tags:modern ceramic art, ceramic sculpture, freehand imagery
PDF Full Text Request
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