The Influence Of Regional Culture On Landscape Paintings In The Two Song Dynasties

Regional culture research,as one of the important contents of cultural research,not only covers the objective interpretation of the characteristics of the geographical environment,but also includes the discussion of many factors from economics,society to human activities,history and culture,etc.Through detailed interpretation and discussion,it reveals various The intrinsic relationship between factors and the natural geographical environment.As a product of human spiritual activities,the landscape paintings of the Song Dynasty and the Song Dynasty,exploring its development process in the context of regional culture,is of great guiding significance for the study of the landscape paintings of the Song Dynasty.As an important part of the development of Chinese landscape paintings,the landscape paintings of the Song Dynasty showed a complete and unique style of self.This article takes the regional culture as the background,and explores the characteristics of the composition,pen,ink and point scenery of the landscape paintings of the Song Dynasty under the influence of regional culture.Taking the Song Dynasty as the time axis,the Song Dynasty landscape painters and works with a relatively high level of development of Chinese landscape painting were selected for analysis,and the forms and causes of landscape painting styles in the context of regional culture were analyzed,as well as the geography and politics in this background,Cultural and other factors and the correlation between paintings.In the process of research,the author,while seeking the differences between the northern and southern Song landscape paintings,combed the specific works with their respective geographical environments,customs,political environments,economic environments,and culturalbackgrounds,and compared the correlations and similarities of the works horizontally.From the shallow to the deep,deconstruct the inherent characteristics of the landscape painting styles of the Song Dynasty and the laws of morphological changes.Compared with the method of studying landscape painting by time alone,this method not only avoids the disadvantages of not being able to fully reveal the internal operation rules and evolution of artistic style,but also does not allow the research to fall into the misunderstanding that can not provide ideas for creative practice.In short,the reason why the landscape paintings of the two Song Dynasties can reach a peak indicates that the inherent motivations for their development are relatively stable and creative,and they can be compatible and positively change on the basis of the previous dynasties.The purpose of this article is to study and analyze the regional culture and the landscape painting in the Song Dynasty.The purpose is to sort out the most fundamental relationship between the landscape painting in the Song Dynasty and the many factors of regional culture.Guiding Significance of Modern Landscape Painting Practice.