Study On The Spatial Narration Of Domestic Tomb Robbing Online Dramas

Through creative imagination on the basis of network literature and folk culture,grave robbing subject network drama describes a strange and fanciful“Ancient Tomb World” in which the leading characters have adventured.Such dramas that embody such factors as adventures,mysteries and thrillers greatly induce the public to watch.The author analyzes the construction mechanism,functional mechanism and cultural mechanism of spatial narrative of grave robbing subject on the theoretical perspective of spatial narrative and study text of famous domestic grave robbing network dramas such as The Lost Tomb,Candle in the Tomb and The Mystic Nine.In the introduction,the author outlines the causes of studies on grave robbing network drama,and states the reasons for the study on spatial narrative of grave robbing subject network drama from three dimensions,which are the popularity,the developing courses and spatial narrative thinking of grave robbing network drama.Then the current situation of study on grave robbing network drama and spatial narrative theory is carded,and its key points as well as defaults are also summarized.At the same time,the significance of the study on spatial narrative of the grave robbing subject network drama is described,and finally the study methods of used in the study of the subject are briefly expounded.In the first chapter,the author explains the construction mechanism in the narrative of "Ancient Tomb World" from the three dimensions of space selection,space juxtaposition and space focus in the grave robbing subject network drama.First,the space selection of "Ancient Tomb World" is elaborated from the views of amazing natural space above the ground,thrilling tomb space under the ground and landscape flowing.Next,the author expounds the parallel and the intersecting space in the "Ancient Tomb World" from the perspective of juxtaposition of above-ground and underground space,as well as modern and history.Last,the author states space focus of the "Ancient Tomb World" from the contradictory focus of man and environment,man and man,and man and self.In the second chapter,the author expounds the functional mechanism in the narrative of "Ancient Tomb World" from four dimensions,which are spatial architecture narrative structure,promoting narrative development,shaping the characters and emphasizing the subject's meaning in the grave robbing subject network drama.Firstly,the author discusses the narrative application of semi-closed circle and totally closed circle structures in "Ancient Tomb World".Next,from the space varieties of the tomb,the author discusses the promotion of space towards the narrative development.Furthermore,from views of space representation and space identification,the psychological world and value proposition of the character is changed in the ancient tomb,in order to see the trace of individual growth and to shape different characters.Last,in the perspectives of the sense-losing of modern people in the tomb space,bestiality in ethical,the dark side of human is displayed in the "Ancient Tomb World".In the third chapter,the author discourses the cultural mechanism in the narrative of "Ancient Tomb World" from two aspects,which are identification and dissolution of historical and cultural space,maintenance and dissolution of power and cultural space in the grave robbing subject network drama.First,the author states the identification and dissolution of historical and cultural space in the subject from the construction of the cultural foundation of ethnic memory,of building an emotional bridge of national identity and of building a channel to digest traumatic memory.And then,the author states the build and dissolution of power and cultural space in thesubject from space history,space symbol and space restructure.In the conclusion part,the author summarizes and concludes the main ideas,outlines and summarizes some existing problems,towards which the coping strategies are suggested in the same time.