A Study On The Expressive Characteristics Of Contemporary Chinese Oil Painting

The introduction of western modernist art and the domestic reform and opening up formed a relatively free artistic environment,which directly affected the creation concept of Chinese contemporary oil painting.In terms of artistic concept,contemporary Chinese oil painting no longer simply pursues the true representation of objective objects and images,but emphasizes the expression of artists' self-emotion,which reflects people's spiritual world and expresses subjective emotions through the objective world or the objective images.In the form of art,it pays attention to the "formal beauty" of art,pays attention to the individual artistic style and the research and exploration of the oil painting form with the essence of local culture.The integration of Chinese and western art,the variety of language forms and the diversity of personal styles make contemporary Chinese oil painting present a unique appearance and also show the tendency of "expressiveness" on the whole.This paper makes a detailed study on the characteristics of "expressiveness" in contemporary Chinese oil painting under such a background.In this paper to Mr.Shui tianzhong Summarized the characteristics of the development of Chinese contemporary art to draw into this topic research,respectively to the western oil painting and Chinese traditionalcontext and under the globalization context of contemporary Chinese context is analyzed in this paper,the "expressive",summarizing the third-that is,the "expressive" referred to in this article are based on the context of meaning;Secondly,the development trend of contemporary Chinese oil painting towards "expressiveness" is illustrated by a detailed discussion of the aesthetic manifestation of "expressiveness" in several major types of Chinese oil paintings.Then,as carry emotional paintings through certain visual image,and the visual image is composed of modelling,colour,material texture is constructed from the combination of language,so the third chapter uses a lot of art alone to concrete analysis the complanation of modelling,colour of subjectivity,the establishment of the integrated use of material and symbolic image and the creation of the schematization methods such as "expressive" characteristics.Finally,the analysis of "expressive" oil painting language form from the inside out is not only the reflection of artists' concern about the spiritual world of human beings,but also the exploration and study of it plays a positive role in promoting and expanding the diversified development of oil painting language and the development of Chinese easel painting art.The trend of "expressiveness" in contemporary Chinese oil painting is the result of the change of The Times.Art should also follow the development of The Times and move forward as a part of ideology,even faster than the development of the society.How to explore expressive oilpainting language,how to form a schema language based on national characteristics and distinct personal style in the creation process,and what problems should be avoided in the process,this paper can provide some clues,which is also the purpose of this study.