Na Hong-jin's Crime Film Research

Since the beginning of the new century,Korean films have developed rapidly,and crime films have formed an important part of the Korean film landscape,achieving a box office and word of mouth harvest in Korea and abroad.In many Korean crime films,the "Crime Trilogy" directed by Na Hong-jin re-deconstructs and authorizes traditional crime films with a strong personal style,using a gloomy image tone and a sharp and objective objective perspective.An in-depth discussion of the hidden evils in society and human nature,as well as religious ethics,has condensed into a unique film technique.This article is divided into three parts: introduction,subject,and conclusion.The introduction summarizes the national issues of Korean crime films,director Na Hong-jing,and Korean films by collating and combing domestic and foreign film literature.The main body consists of four chapters.The first Na Hong-jin's crime film creation process,first of all,a detailed summary of the historical evolution of crime films,especially Korean crime films,followed by a brief analysis of Na Hong-jin's short film creation and long-form film creation.Summarize Na Hong-jin's different creative periods.The second chapter is the main features of Na Hong-jin's crime films.Starting from the three novels of Na Hong-jin's crime films,this article analyzes the narrative of sin,tragic characters and cruel themes,and studies its main film characteristics.History explores the deep source of its film style's growing soil-"Hate" and "Cruel" Korean national identity.The third chapter is the director's art and audiovisual style of Na Hong-jin's crime film.From the perspective of audiovisual language,he analyzes and analyzes the three dimensions of handheld camera and motion lens,darkened picture and closed space,montage and film structure.The fourth chapter is the social response and unique value of Na Hong-jin's crime films.By collating the Korean society 's response and evaluation of Na Hong-jin's crime films,it summarizes the unique value of Na Hong-jin's crime films and proposes the development of Chinese crime films.Learn from.The conclusion summarizes Na Hong-jin's film creative style and inneraesthetic meaning,and refines the aesthetic style of “Na's crime-type films”.This article analyzes the two most distinctive elements of the film directed by Na Hong-jin: "Personal Video Writing" and "Audiovisual Language",providing a new and comprehensive way to chew and digest Na Hong-jin's film art.Opportunity,thus in the process to obtain nutritional value that had not been discovered and obtained by previous generations,in order to provide reference and reflection on the development of Chinese crime films.