The Study Of Dante Lam’s Crime And Gangster Films

In the world movie history,Hong Kong film is prominent,known as the reputation of the “Eastern Hollywood”.The crime and gangster film of Hong Kong is the type of film that its most local characteristics have a pivotal position in terms of quality and quantity,left countless classical memories for the audience.In the development of Hong Kong crime gangster film,emerging a batch of excellent creators,Dante Lam is one of them.His films are superior in quality,award-winning film awards.This thesis attempts to excavate director Dante Lam’s personal shooting style.The general content is as follows:In the first chapter,the author defines the concept of crime and gangster,introduces the history of it and Dante Lam’s gangster film creation process.About the definition of crime and gangster,different scholars have their different understandings.The author conforms specific study object through definition.Combing the development of the dual context and Dante Lam’s creation course,to determine individual style and type of Dante lam police bandit movie film program change is helpful.In the second chapter,the author analyzes the text of Dante Lam’s crime and gangster in depth,classifying the movie theme style of Dante Lam’s crime and gangster.In Dante Lam’s crime and gangster film,it shows individual survival plight,the author divides the trouble into three categories: edge character identity dilemma,spiritual predicament of reasonable entanglements and external social environment,combined with the specific video content to analyze.In the third chapter,from the perspective of the film art characteristics,the author analyzes the individual style characteristic of Dante Lam’s crime and gangster film.Audio-visual language style distress,light and shadow is full of visual impact.In the popular Hong Kong crime and gangster film violence aesthetics,Dante Lam is outstanding,a documentary expression of violence.In Dante Lam’s crime and gangster film,the hero of the set pair are often opposite,portraits of characterization and narrative clues,fast,compact content.In the fourth chapter,through the first few chapters the author discusses movie creation environment,the theme features,artistic style of Dante Lam’s crime and gangster film.The author also thinks Dante Lam’s crime and gangster for program breakthrough type movie,and what are the challenges in the future for the signing of CEPA to Dante Lam’s crime and gangster film creation.