Cultural Connotation Of Batang Xianzi Music

China is a large family of 56 ethnic groups living in harmony,and various art forms of various ethnic groups are emerging in endlessly.Tibetan people have a variety of art forms,standing in the forest of art in China.Among them,there is such an art form in Batang,the Tibetan inhabited area of Sichuan Province.The string music culture,which integrates the four art forms of "song","dance","music" and "poem",is widely spread in Batang.Its song,melody,dance action and lyrics are unique and attractive.In Sichuan Province,as long as we mention Xianzi,we will think of Batang.Batang Xianzi has become the "business card" of Batang area.To some extent,such art forms represent the local customs and aesthetic forms.It is necessary to study the music culture of ethnic minorities in China under the background of cultural power.Based on my theoretical knowledge and on-the-spot investigation,combined with previous books and materials,this paper makes a systematic analysis of Tibetan Xianzi music culture in Batang area,with a view to promoting the music art of ethnic minorities in China.This paper is divided into four chapters.The first chapter is about the formation of Tibetan society in Batang area,mainly from the geographical environment,historical background,legends and ethnic folk art.In terms of studying a music form,we should not only study the music itself,but also study the local historical situation and cultural connotation.Besides looking up historical materials,books and documents,we should also do more The second chapter is about the shape of biwang and the memory information of Xianzi.Firstly,through the on-the-spot investigation,we interviewed the inheritors to analyze the shape information and production materials of three kinds of biwang in Batang,Deqin and Gannan.Secondly,the early "harmony" came from the local people to the Xianzi The third chapter describes the music characteristics of string in Batang area,mainly from melody,rhythm,performance methods and techniques,through the comparison of "traditional" music and "new traditional" music,combined with the relevant professional knowledge;the fourth chapter describes the music of string in Batang The analysis of cultural connotation is based on the brief examples of four types of libretto and the combination of the example music and libretto in this paper.