| The period of the pre-qin and han dynasties is the beginning of Chinese classical aesthetics,and the art of the pre-qin and han dynasties is also the source of Chinese art.Contemporary artists by its unique sensitive to capture the source of Chinese national art aesthetic idea,explore this period’s unique artistic style,and artistic style and element symbols again carries on the transformation and creation,applying in modern and contemporary oil painting,the painting language for Chinese traditional culture and contemporary ideas combining with other possibilities.The research content of this thesis includes three parts: the first part is the study of some works of art in the pre-qin and han dynasties.Since the pre-qin and han dynasties had a long time range and involved many elements and works,only the elements and styles related to the second and third parts of the paper were selected for specific discussion(including modeling,painting style,aesthetic concept and symbolic meaning)to pave the way for the content of the second and third parts.For example: the frog element which has some enlightenment to Shengzhong Lv’s art;The dragon element that inspired Klimt art;The art of Mawangdui han tomb,which is enlightening to Liming Gu’s art;And the elements and artistic styles of the pre-qin and han dynasties that influenced my creation.Based on the foundation of the first part,the second part of the paper will specifically explore the application and transformation of art works,painting themes,artistic styles and traditional Chinese elements in the creation of modern and contemporary artists of this period,including the creation of western modern artist klimt and Chinese contemporary artists Shengzhong Lv and Liming Gu.To explore how artists integrate Chinese traditional elements into their own creation,and how to examine and establish their own painting language from the perspective of globalization,contemporary concepts and the combination of Chinese tradition,history and culture.The third part will combine the learning of the pre-qin and han dynasties artistic styles with the learning of modern and contemporary artists’ creation methods,and transform the pre-qin and han dynasties artistic elements and styles into their own creation.This paper discusses thecontemporary creation of Chinese traditional culture,and ponders the historical proposition of the inheritance of ancient and modern cultures and the integration of Chinese and western cultures. |
