The Influence Of "Chang'an School Of Painting" On The Creation Of Chinese Painting In Contemporary Northwest

"Chang’an painting" is one of the 20th century have a significant influence genre painting in China, is also "Chinese modern art movement" mainly advocates and practitioners. It to face life, face to face with the reality of artistic spirit of pioneering completed the subject matter of painting of the northwest regional mining, in the process, it is put forward to "reach out to traditional, hand life" as a representative of art, has important and far-reaching influence on the later artists. This article through to "chang’an painting art" occurrence, development and evolution of textual research, observes it in the practice of the art form of artistic values and spirit, artistic methodology, development theory, ink, and the representative works of art made vertical interpretation. Through the image analysis method, comparative method, literature research, finding out the Huang Zhou, Xu Shuzhi along the "chang’an painting" opens in art and art creation technique, rooted in xinjiang minority theme is the art of Traditional Chinese Painting creation context. Shaanxi local painter Cui Zhenkuan, Luo Ping’an, Zhao Zhenchuan in succession, such as "chang’an painting" artistic spirit and subject matter, on the basis of the subject matter of the loess plateau of Traditional Chinese painting creation of further exploring and innovation. Represented by Li Baofeng painter group in gansu and ningxia painter who represented by Hu Zhengwei group, in the western desert amorous feelings in the subjects of Traditional Chinese painting creation and the connections and differences of "chang’an painting". Finally, in order to "chang’an painting" of contemporary young artists of the revelation on the relevant subjects of Traditional Chinese painting creation to the end.