The Reference Of Contemporary Landscape Painting To Stone Picture In Han Dynasty

According to the aesthetic characteristics and the linguistic features of the portrait stone in the Han Dynasty,the basic point of view of the Chinese local art spirit is restored by the whole artistic characteristics of the "holistic view",the "shape" and the "image" metaphor and the simple and simple,and the impulsion and the old-style of the "On the basis of the basic theoretical support,this paper analyzes and determines that the contemporary landscape painting should be used for reference to the portrait stone in the Han Dynasty".Chinese traditional landscape painting has experienced a long process of development,its artistic form and language have a relatively complete system support.Since the initial painting form,which is simply used as the background foil of figure painting,has been developed to modern times,it has enriched and developed the expression language and form of landscape painting,especially since the 85 art movement,Chinese traditional landscape painting has experienced the western contemporary art thought and then returned to the traditional self-reconstruction.In the contemporary artistic context,it is difficult for Chinese traditional landscape painting to get long-term development because of its specific material attributes and logical thinking formed for a long time.But Chinese landscape painting It seems indisputable that traditional culture should be combined with contemporary artistic ideas to establish their own artistic images.In my own creative practice,the portrait of the Han Dynasty in Chinese traditional culture should provide reference for the creation of contemporary landscape painting.The description of landscape painting in the portrait stone in the Han Dynasty is not much,but it is sufficient to occupy an important position in the history of Chinese landscape painting.In the art category of China,the art of the painting of the Han Dynasty,with its magnificent momentum and romantic imagination,has laid a foundation for the development of Chinese painting and art in the later ages,and it is the most representative of the spirit of the national art.Nowadays,contemporary landscape painting presents a diversified development trend,but there are a considerable number of artistic creation emphasis on techniques rather than thought,emphasis on effect and light tradition,the content is shallow empty,the style is sweet and vulgar.Han Dynasty stone portrait is a combination of painting and sculpture,rigorous structure,independent and complete composition,expression techniques and art forms have the characteristics of painting,most of its artistic images show simple,primitive,simple aesthetic characteristics,which is also more in line with the overall artistic appearance of the Han Dynasty calm and stable atmosphere.It is of practical reference significance for the creation of contemporary landscape painting to draw lessons from the formal language of stone portraits in Han Dynasty.The rich artistic appeal of stone painting should also be carried out.When can have a positive impact on the contemporary landscape painting pen and ink language,concept,schema and so on.Both form and spirit,advocating artistic conception is the core concept of Chinese painting creation,and Han Dynasty stone painting works with simple artistic style also just reflect the Han Dynasty people's initial understanding of modeling and artistic conception.Based on my practical experience and interest in landscape painting,this paper mainly focuses on the significance of studying the aesthetic value of stone to the existence of contemporary landscape painting in order to narrow the scope of research to avoid the emptiness of the content.