Study On The Artistic Beauty Of The Spirit Of Painting And Ink Painting

Landscape painting since the tang dynasty from the figure painting, became an independent painting branch has already passed more than one thousand years. Deeply rooted in the long development course that landscape features and aesthetic tendencies of the Chinese nation culture. In modern times, the discussion on the beauty of landscape painting still continued, many artists have been exploring their own direction. Landscape painting to grow in the soil of culture, its origin lies in the thinking of "realm". At present, compared with the "state", many painters pay more attention to the strength of the vision in the landscape painting or the form of pen and ink, but lack of the "the heart source outside nature," the natural feelings of and spiritual exploration. The so-called "image" and "state" condensing successive masters of nature and continue to explore, brings together the essence of traditional Chinese aesthetics, is worth us to inherit and develop today. Landscape painting creation process, is the painter heart with mountains and rivers natural blend process, gradually build images, to stretch of body, mind, convergence is feeling, enjoy the beautiful process. At the same time, the painting can be the author of beauty feeling through the intuitive way to convey to others, to show their own aesthetic, visual experience to the viewer, to achieve the purpose of the painter and visitors communicate with each other. This article mainly from the composition, artistic conception, "actual" and takes the four different angles to study landscape painting pen and ink spirit and aesthetic thought. The hope is that this article, the author’s spirit of landscape painting ink contains research process of art beauty, but also hopes to make contribute to the development of the inheritance of traditional Chinese art and contribution.