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On The Spatial Expression Of Urban Ink Figure Painting

Posted on:2021-04-15Degree:MasterType:Thesis
Country:ChinaCandidate:L J HuangFull Text:PDF
GTID:2415330614460543Subject:Art
Abstract/Summary:PDF Full Text Request
This paper mainly takes the space expression as the object of discussion,tries to launch a new tentative understanding on the basis of various existing ideological achievements,and from the perspective of the unique space consciousness and space construction mode of Chinese figure painting,and the influence of western painting space on contemporary painting space.Analyzed several artists,they use their own way of space structure layout and space build,and carries on the combing and thinking,with gu kaizhi(eastern)the picture of pro figure ",Gu Hong(y)in the "han xizai evening banquet",later(northern song dynasty)pursues "on the qingming festival,Keith c.(song dynasty)of the splash-ink fairy figure" as the main research clue,discuss the traditional Chinese figure painting in the painting is a major contribution to the understanding and the expression of space,to explore in the process of the urbanization of today we watched,in what way and watch the results to be reflected on the picture.Spatial expression is an important link in the painting system.The spatial consciousness of ancient Chinese painting,with its profound ideological connotation and abundant ways of creation,is an extremely important academic resource for the discussion and study of contemporary urban ink figure painting.Based on the analysis of the time of the spatial expression style of urban ink figure painting,the characteristics of its spatial expression and the main reasons for its formation are sorted out and discussed.Since the western modernism art to the classical painting of the spatial structure of the break and free restructuring and abstract form and Chinese ink painting of the spatial consciousness of a certain sense of the implicit.The two are no longer the state of opposition,but the language resources that draw lessons from each other.Modern China has embraced not only science and technology,but also the western way of watching,which is dominated by the Internet,film and photography,in addition to the dizzying array of contemporary art.Many contemporary Chinese urban ink figure painters absorb the visual experience of new media and transform the current painting language and concept,bringing us a richer and more exotic visual experience.In terms of personal creation,I combine my own viewing habits,draw on the multi-dimensional space effect of Chinese traditional painting and western painting in my works,and construct an artificial space with a sense of play by using folding bars,screens,tree stones or square artificial structures.The painting space through their own subjective consciousness in the works and imagine the existence of a reality show,and restructuring and transformation,into their own ideas and emotions in the picture,by rocks,trees and character outline and full of rhythm clever and fantastic painting space changes,to reflect the life of the man's existence consciousness,object vitality and the broad and profound of the universe.The different ways of expressing space in contemporary painting reflect different artistic purposes,intentions and interests.In addition to the creation of image space,I also hope to use my works as a carrier of information and a medium of communication to express my feedback to the society and The Times.
Keywords/Search Tags:Urban ink figure painting, painting space, multi-dimensional space, blank space, scatter perspective, focus perspective
PDF Full Text Request
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