From The Scatter Perspective Of Chinese Painting Space Consciousness

The western traditional painting heavy realism, truth, emphasizes the objective, focus on" depicting the natural ". While traditional Chinese painting freehand brushwork is heavy,performance, emphasizing the subjective. Because the Chinese painting " meaning"," God ",emphasizes the expression of emotions, scenes integration, so it is more focused on objectivedepiction of intrinsic feature of things, can master the true feelings and show its rich innerworld. In order to make the main body of the inner feelings can be fully displayed, the painterin the view of the objective natural methods often rely on mobile point of view, namely "scatter perspective method " used in traditional Chinese painting. Powder using pointperspective, not only the Chinese painting exhibit space form unique characteristics, but alsoto the concept of " time " into the screen, the " space-time consciousness " generation andreflected and fully explained in traditional Chinese painting. As described in Chinese paintingis the combination of static and dynamic scenes, integration of the subject and the object, andat the same time, free from the " time " and " space " of the bound, so the object picturedepicted is not only a point on the time axis, and also has a longitudinally before and afterextension. So, Chinese traditional painting is not only the surface of the techniques described,but also gives it a deep inner vitality. This paper is divided into four chapters on the temporaland spatial consciousness in Chinese painting to express. The first chapter, the mainintroduction of Western painting a different focus perspective and scatter, characteristics andpainting " space-time consciousness ". The second chapter, detailed analysis of dispersioneffect in perspective, Chinese traditional painting in the form of the unique spatial form: thecombination of space, the flow of a yuan of image space, a space of imagination, and tracingthe occurrence time and in view of Chinese painting painting as reflected in specific products.The third chapter, mainly from the " keep under observation, the unity of heaven and man " in the traditional culture," unity between subject and object, the perceptual enlightenment "thinking and " ideas, philosophical basis of aesthetic orientation of lively" to seek to promotethe formation of space-time consciousness of Chinese painting. Through the first threechapters of the description, chapter fourth analyzes the impact of Chinese traditional space-time consciousness in western modern painting. In a word, the traditional Chinese paintinghas the " space-time consciousness " which makes it one of the paintings are detached andobjective nature, awaken the spiritual consciousness of the people, the pursuit of artisticexpression and nature and the meaning of life. In the process of artistic creation, it isnecessary for us to uphold the characteristics, and reflect the value and significance of it in theworks.