A Study On The Online Matriarchy Fiction In The Perspective Of Typology

This thesis mainly makes a systematic analysis of the historical evolution,narrative rules and audience groups of online matriarchy fiction.In the course of more than ten years’ development,online matriarchy fiction has realized type fixation and internal type succession,and produced classic texts with stable narrative grammar.Therefore,the thesis,taking typology as the clue,specifically analyzes the special narrative rules and the acceptance mechanism behind them.The first chapter of this thesis reviews the evolution of matrilineal literature at home and abroad.The first section mainly organizes the records of goddess worship and androgyny in ancient mythology.The first section mainly summarizes the records of goddess worship and hermaphrodite in ancient myths,synthesizes the related records of all-round goddesses in multiple myths and explores the social and cultural dominance of goddesses becoming all-around gods,and compares the similarities and differences between "androgyny birth" in myth and "male birth" in online matriarchy fiction.The second section analyzes the writing of the kingdom of women in the literature of the patriarchal era,and the writing of the kingdom of women in the patriarchal era provides the skeleton of online matriarchy fiction.The third section,according to the evolution process of novel types,combs the evolution process of online matriarchy fiction in the network era.In the second chapter,from the perspective of typology,the author deeply analyzes the genre stereotypes of online matriarchy fiction and the gender political connotation of genre stereotypes.The first section analyzes the type of the world background of online matriarchy fiction from the perspectives of social order and marriage patterns.The second section studies the plot patterns in the online matriarchy fiction: the pattern of achievement,the pattern of pursuing equal love and the pattern of win-win.The last section analyzes the character image and character relationship characteristics in online matriarchy fiction.The temperament of male and female characters in online matriarchy fiction tends to be similar,with femalecharacters becoming "male" and male characters becoming "female".In addition,the erotic relationship between the characters in the novel has the characteristics of "male protagonist unknown" and "female master male slave".The last chapter mainly discusses the relationship between the author and the reader,the characteristics of the audience and the audience experience.As the interactive nature of network literature,the first section of this chapter includes the authors and readers of online matriarchy fiction as a whole audience,and analyzes the overall characteristics of this group.The second section analyzes the psychological contradictions of "I am a woman" and "I am not a woman" of the audience group from the narrative rules in online matriarchy fiction.The third section explores the creation and reading experience of game carnival in the audience,and analyzes the causes of game carnival writing in online matriarchy fiction.