| Contemporary Chinese national musical instruments can reflect traditional charm and national music culture,Not only because it is based on traditional Chinese musical instruments,but more importantly,it fully displays and exerts the charm of traditional music in music.Such as the use of the tune of the traditional scale and elements of the traditional folk songs and Chinese opera music factors of qupai(generic name for traditional tunes used in songwriting based on lyrics)and shengqiang(common systematic tunes of many varieties of Chinese operas).However,Chinese opera art,as a component of folk music,has more regional characteristics than folk songs in its shengqiang and qupai among these traditional musical elements.Because folk songs are susceptible to change due to the influence of social development during the dissemination process,improvisation is very strong,but it is difficult for Chinese opera to change its regional style after relying on a shengqiang system.It can also be said that it can better symbolize the musical characteristics of a region.The Xiangjiang music created by the Mr.shi lemeng and The festive song in Xiangjiang created by Mr.jin wei,which are analyzed and discussed in this paper,originated from the traditional elements of huagu opera in hunan.Although these works are short,the author confirmed that from the selection of materials to the final completion of the work,it not only reflects the regional style of hunan music,but also highlights the evolution process from opera music to instrumental music.Therefore,the author will be based on huagu opera in Hunan,through the analysis works of hunan huagu opera music style and understand the relationship between Chinese opera and Chinese musical instruments.Then it discusses the expression of Chinese opera music in Chinese national instrumental music works and the influence of Chinese opera music on the creation of instrumental works. |