The Study Of Sui Dynasty "Pure-and-ideal World Dominated By Amitayus Buddha" Bronze Statue Collected In Shanghai Museum

This paper includes five chapters.The first chapter mainly explains the inspection、compare and contrast about the sui dynasty“pure-and-ideal world dominated by Amitayus Buddha”bronze state collected in Shanghai Museum(hereinafter referred to as“Shangbo-bronze state”)、“Dongqin-bronze state”and“Fanshi-bronze state”.The“Shangbo-bronze state”,nine tenon-joint statues fixed on a four-foot plinth,consists of a Amitabha,two attendant-bodhisattvas,two supporters,two guard-lions,one plinth and two lost disciples,its“three saints of west”is highlighted,with exquisite level.Meanwhile,the“Shangbo-bronze state”has a high integral height,its“three saints of west”’s head light and the Amitabha’s lotus seat seem pretty delicate.The“Shangbo-bronze state”’s height from front to rear is more and more rising,its Amitabha especially superb.The second part consists of compare and contrast“Shangbo-bronze state”with its images and states in same epoch and theme,analyseing common points and different points respectively,but due to distinctive schemas,only can we notice the emphasized“three saints of west”in common.The third chapter and the fourth chapter are core of this paper,discussing the source and delivery that the modal and stylish characters of“Shangbo-bronze state”,in this process from emphasized“three saint of west”to“Shangbo-bronze state”,the composition getting more rich,the making-level more delicate,the bonze state with same schema becoming simplify little by little,even withering away after the“Shangbo-bronze state”in the Sui and Tang dynasty.The final chapter is the summary of this study.This paper takes the method of certifying picture and text Each other,we can conclude“Shangbo-bronze state”mede in Kaihuang period in Sui dynasty with a subject of“pure-and-ideal world Dominated by Amitayus Buddha”,stressing the“three saints of west”and“order、space and combination of tenon-fixed”features.The formal source can be traced to the“picturing of Wuliangshou-classical text”in 6~thh niche 169 cavern of the earliest existing Bingling Temple in Gansu province and bronze states with common points in sixteen-country time.Continually,the“Shangbo-bronze state”got much schemal development during the progress of highlighting“three saints of west”,then the Sui and Tang dynasty’s several golden-bronze buddha state with different themes were influenced by“Shangbo-bronze state”at all levels,they had some common points such as emphasize the“three saints of west”、combination of tenon-fixed states、four-footed pedestal and so forth.The tendency of bronze states influencing the“Shangbo-bronze state”were more and more complex.However,These bronze states that influenced by the“Shangbo-bronze state”were little by little becomingsimnple in manufacture,what’s more,even coarse.