A Study Of The Tragic Implications Of Yang Jiang's Dramatic Creation

Yang Jiang's writing career spans nearly 80 years,and she has penetrated both modern and contemporary China,involving prose,fiction,and drama.As far as the field of drama is concerned,no matter whether it is creative practice or theoretical construction,she has made positive contributions,which can be described as a part that cannot be bypassed in the development of modern Chinese drama.Compared with the study of comedy form,there is very little research on the tragic implication of its drama.Based on this,this thesis slides the tragic implication of Yang Jiang's plays into the field of research.On the premise of summarizing the related academic research results of the previous "Double Walls of Comedy",establish the inherent unity connection between tragedy and comedy,integrate the tragic content implied in the tragedy and comedy works,and comprehensively investigate from the aesthetic perspective of tragic meaning The Unique Value of Yang Jiang's Drama.First,the thesis cuts into the writing background from the writing background and elaborates the generation mechanism of the tragedy implication of Yang Jiang's drama.In the complicated historical field of the occupied area,the influence of Chinese and Western literary culture and the turmoil of the scholarly family on Yang Jiang's drama is summarized,and the close relationship with the writing of "tragedy implication" is confirmed.Secondly,the thesis turns to the deductive analysis of drama texts,from the portrayal of images,human nature review,drama conflict and the tragic tendency of characters,to explore and confirm the tragic life of the "double wall of comedy" under the coat of custom comedy.From the four aspects of depicting the paradox of ideal and reality,"anti-romantic",female subjective consciousness,and fatal tragedy,the tragic core of "Feng Su" under the cover of comedy is written.Summarizing and analyzing the script,it adopts the model of "homeless" and "intruder",non-dramatic tendency and "allegorical" writing as the aesthetic expression of the tragic meaning of the play.Several parts complement each other and are closely related to each other,which together constitute the tragedy life mirror of Yang Jiang's plays.Finally,the thesis summarizes Yang Jiang's drama attitude towards tragic life,and clarifies the positive significance of the playwright's efforts to explore the "hidden salvation" and seek spiritual transcendence for the characters and the real society.It shows that as one of the writers worthy of attention in the current drama world,Yang Jiang has more perfected his research results in the field of tragedy.