Research On The Coda Of The Qupai In “Xinding Jiugong Dacheng Nanbeici Gongpu”

The article mainly conducts a comprehensive study on the 476 codas of the qupai included in the"Xin Ding Jiugong Dacheng Nanbeici Gongpu".(???????????)Define the coda of qupai as:in opera art,qupai which is usually used at the end of the music.It is divided into five chapters:The first chapter is a comprehensive review and description of the 476codas of the qupai in the"Jiugong Dacheng"(????)according to the historical order of Chinese folk art forms and opera genre.It is found that the editor has revised the name and temple of the coda of qupai in the original script.Chapters 2 and 3 divide all the codas of qupai in the"Jiugong Dacheng"(????)into"coda of qupai not related to Zhiqu qupai"(????????????),"coda of qupai related to Zhiqu qupai"(????????????),"[sha](?)class combined coda of qupai"and“[Zhuan Sha](??)class coda of qupai”.The second chapter discusses in detail the naming rules and usage characteristics of"Coda of qupai not related to Zhiqu qupai"(????????????)and"Coda of qupai related to Zhiqu qupai"(????????????).Among them,the naming principle of"Coda of qupai Not Related to Zhiqu qupai"(????????????)is closely related to the tune of qupai.The main types that belong to the coda of the qupai of Northern opera tune are four types.The main types that belong to the coda of the qupai of Southern opera tune include:the original coda of qupai in"Nan Ci Xin Pu"(????)and the four new codas of qupai in"Jiu Gong Dacheng"(????).There are two types of coda of qupai that are all used in the Southern opera tune and Northern opera tune:the coda of qupai in the Nan Bei He Tao Qu and[Qing Yu].(??)"Coda of qupai related to Zhiqu Qu qupai"(????????????)refers to the case where Zhiqu qupai are used as the"coda"in drama music.For example,two codas of qupai related to Zhiqu[Lang Li Lai](???)are explained;The third chapter discusses in detail the characteristics of the qupai cards of"[Sha]class coda of qupai"(??????????)and"[Zhuan Sha]class coda of qupai"(?????????)are closely related to the rap art in the north and south respectively;Chapter 4 classifies the coda of qupai according to the southern and northern ciqu of“Jiugong Dacheng”(????),and analyze their musical characteristicsseparately.From the perspective of mode,there are four modes of Northern opera tune qupai(mainly designating the works before the Ming Dynasty):Gong mode(???),Shang mode(???),Jue mode(???)and Yu mode(???).Southern opera tune is mainly based on Zhi mode(???)and Yu mode(???).From the scale and range of sounds,the coda of qupai in Northern opera tune mainly uses seven scales.The coda of qupai in Southern opera tune uses a pentatonic scale,but when it is used in the"Nan Bei He Tao"(????),there are some cases in which the seventh scale is used.Judging from the rhythm,most of the coda of qupai in Northern opera tune in the works of"Jiugong Dacheng"(????)before the Ming Dynasty only remember the"floor plate"(??).After the Ming Dynasty,the Northern opera tune qupai embodies the style characteristics of"combination of north and south".The rhythm is dominated by the Southern opera tune style,and the phenomenon of changing the beat in the song card also appears.The coda of qupai in Southern opera tune is mainly composed of twelve boards,all of which start with“waist board”(??).There are also a lot of changes in the tempo,usually starting from duple meter(????),and expanding the board at the end of the second sentence to quadruple meter(????)with gift boards;Chapter 5 explain that in addition to the summary function,the coda of qupai also has two special functions for linking and expanding in the sets of tunes.Finally,the conclusion part summarizes the five characteristics of the coda of qupai in"Jiugong Dacheng"(????).