Reference And Thinking To Schubert's Piano Part Of Art Songs From The Performance Of Liszt's 'adaptation'

Among the vocal genres of European classical music,art songs are an extremely important part.Schubert,the composer of early romanticism,not only wrote a large number of art songs,but also has the most excellent artistic value.Schubert's greatest creative feature of art songs was to find a new balance between words and music,vocal music and piano.The vocal music and piano parts of his art songs were extremely exquisite,so art songs were pushed to an unprecedented new height,and he was also called "king of art songs" by later generations.In the middle of romanticism,Liszt,the "king of the piano",transcribed Schubert's art songs,added his own re-creation on the premise of respecting the expression effect pursued by the original music,and successfully instrumentalized vocal music works.After the original music was transcribed,its performance was bound to have certain development.Therefore,the author tried to use these developments for reference in the piano part performance of the original music to enrich the piano part performance of the original music.Take 'Erlkonig' as an example,this paper analyzes the similarities and differences between the original music and the adaptation,and then combines a large number of performance materials and their own performance experience to find out the development of the adaptation for the performance of the original music,and feedback the preferred performance to the piano part performance of the original music,so as to bring some new exploration and thinking to the piano part performance of the original music.