Research On The Artistic Thoughts Of Qi State At Pre-Qin Dynasty

Qi is the the earliest built in pre-Qin period,out of the country to the latest,there is the longest of a vassal state,especially in the Spring and Autumn Period and the Warring States Period has dominated the struggle.Tian Qi period of the Jixia academics brought together scholars from all over the country,for scholars of Confucianism and Taoism,Mohism and Legalism,masters,almost all were the main representative all the school's character.The Qin Dynasty had a profound influence on Chinese traditional culture and traditional art.Therefore,this article focuses on the artistic thought of Qi State in the pre-Qin period,and finds its exploration of art from the philosophical thoughts of Jiang Shang,Guan Zhong,Yan Ying,Xun Zi and others,and finds out their ideas to align the art form,style and performance of the country.The impact of the methods,the meaning of the transmission,etc.,which requires us to integrate it with a macroscopic and profound academic field.This paper mainly relies on the social productivity,economic foundation,ideology,political system and cultural background in different historical periods of Qi State.Starting from the philosophical and aesthetic theories of the main representative figures at that time,this paper combines the unearthed cultural relics and analyzes them.The origin and changes of the country's artistic thoughts,in order to clarify the inheritance relationship of Qi State's artistic thoughts in different social environments and different historical periods.This paper is divided into six parts: the first chapter,the introduction part,briefly discusses the paper selected topic background and research significance,research objects and research methods,related research status,writing ideas and research expectations;In the second chapter,it is necessary to determine the spatial and temporal scope of qi's art,and thus it can be used to judge the influence of the cultural background on the formation of the artistic ideology of the state of qi in different periods.The third chapter,this paper discusses the artistic thought of the beginning of Qi Dynasty is mainly embodied in the same custom as the "vulgar".By retaining the shapes and patterns of the utensils of the Qi and Yin merchants,the cultural unification is formed,and then the Zhou ceremony is incorporated into it,and the art plays the role of the group;The fourth chapter,in the early spring and Autumn period,the spirit of the Guan Zhong,the heory of jingqi all emphasize the role of geography,water and soil to the people and art.In the middle and late Spring and Autumn Period,Yan Ying's view of "advocating thrift" inadvertently revealed the ideological features of art acting on the body,while Yan Ying's theory of "harmony" embodied Qi's artistic thought of "harmony between things and nature","harmony between things and people" and "harmony between things and things".In the political economics of the Guan Zhong,the economy,the rites and the law are all around the body(human desire)and politics,opening the new thinking of the art ontology,the art economy theory and the art of the art of rites and law;The fifth chapter,the Warring States period,the Jixia Academy in Qi State has fused hundreds of cultures and formed a situation of cultural contention.The artistic thought of Qi State has begun to have a tendency to break out of political meaning and think of pure art.Among them,Xunzi's theory of music and the theory of "Huang Lao" and "Fang Xian Dao" in the native place of Qi and the Chinese classical aesthetics system,aesthetic consciousness and art after the Qin and Han Dynasties The sixth chapter is the conclusion of the full text.