Paradoxes In Skill Visualization

Kao Gong Ji is a document describing the norms and manufacturing processes of various types of work in government-run handicrafts in the Spring and Autumn and warring States period."Kao Gong Ji-Shandong Ancient Science and Technology Exhibition" is a strong visual science and technology exhibition based on the content of "Kao Gong Ji".This paper puts the text of "Kao Gong Ji" and its exhibition in the visual culture research field of vision,based on exhibition cases,a large number of audience questionnaires and students' experimental investigation.By using the research methods of visual culture,such as iconology,hermeneutics and phenomenology,this paper studies the construction of audience's new visual experience in the process of image turn and museum visualization.The paper is divided into five chapters.From the point of view of the current visual environment and museum art education,the introduction of the first chapter puts forward the key problems to be solved by combing the current research situation of the visualization of "Kao Gong Ji" and the comprehensive investigation of the research case in this paper.explain the research content,methods and the research framework of the article.In the second chapter,through the carding of the image development process in "Kao Gong Ji",it is found that "Kao Gong Ji" has been accompanied by the problem of "authenticity" in the process of image transformation.From the concise hand-drawn drawings at the beginning to the more "real" pictures in the later stage,there is actually a problem of misinterpretation and over-interpretation of the text,and at the same time,in the process of this interpretation,it also makes the reader lose the space for imagination and rethinking of the text.In addition,the relationship between words and images is also very tense.It is provedby experiments that the image can not effectively elucidate the original text.In the case of the development of images,we can not ignore the text itself,the text also has its own value,the reading of the text itself still has its aesthetic existence and meaning existence.The third chapter focuses on whether the interpretation of the original text of Kao Gong Ji is effective after the museum re-made the visual and three-dimensional adaptation of Kao Gong Ji under the social background of the prosperity of visual culture.First of all,this paper discusses the "authenticity" of "Kao Gong Ji" in the museum,and holds that stereo vision can not effectively elucidate the original text of "Kao Gong Ji",which is influenced by various media and curators' subjective factors.great changes have taken place in the inner meaning of "Kao Gong Ji" in the process of translation.Secondly,it discusses that in the virtual environment,the subject loses the judgment of "virtual" and "reality",and thus gets lost in the virtual landscape.The fourth chapter is mainly based on the new visual experience produced by the viewer after the Kao Gong Ji is presented in a three-dimensional and visual way.First of all,this paper thinks that under the social background of this consumer culture,in order to satisfy the entertainment consumption psychology of the public,the "skill" of "Kao Gong Ji" has been excessively entertained.Secondly,it discusses the influence of museum environmental factors on the construction of audience's new visual experience,based on the audience's perspective,and thinks that due to the excessive emphasis on entertainment visual experience,the aesthetic distance between the aesthetic subject and the aesthetic object is gradually dispelled.Finally,while emphasizing the intuitive experience,the museum also needs to make a deeper interpretation of the exhibition through other ways,so that the audience can have a deeper understanding of the cultural knowledge contained inthe exhibits,so as to construct a complete visual experience.The conclusion of the fifth chapter is mainly the summary and reflection of this study.On the whole,the entry of Kao Gongji into the museum is the necessity of the development of the times under the background of visual culture,which reflects the visual trend of traditional skills in contemporary society.Although there are still some shortcomings,it has a relatively good impact on the cultural dissemination of "Kao Gong Ji",strengthens the audience's basic understanding of "Kao Gong Ji",and embodies the social education function of the museum.