A Comparative Study And Practical Application Of The Complicated And Simple Composition Of The Carved Pot In Quziye

In the qing dynasty,Chen mansheng injected the aesthetic taste of literati into a small zisha pot,and vividly integrated poetry,calligraphy,painting and printing into the zisha pot,making the zisha pot a carrier of culture.At this point,the literati used the knife as pen and the green paper to express their feelings and literary talent onthe purple clay pot.Qu Ziye is the representative of the literati pot after Chen mansheng.Qu Ziye wrote about the Ming pot with his calligraphy and painting,and the topic sentence was quite free of emotion.He was not limited by the size of the pot,and even wrote across the pot.The POTS carved by Qu Ziye are divided into simple and complex.Studying the complexity and simplicity of Qu Ziye 's painting composition can not only supplement the details of the painting,but also provide reference and inspiration for his own painting creation.Different composition of the purple clay pot carving and painting show different aesthetic taste,including the feelings and literary talent of Chinese literati.According to the shape of the pot,pot meaning or free and unrestrained to express their own interest,or implicit concise expression of their feelings.To study the complexity and simplicity of Qu Ziye's painting composition is to study the different aesthetic orientations of Chinese literati.