Research On Production Protection Of Yixing Zisha Pottery Craftsmanship

Intangible cultural heritage,as an important part of the protection of cultural heritage,carries the material and spiritual civilization of human society,and it is a live demonstration of the diversity of world culture.In recent years,with the continuous deepening of the practice of intangible cultural heritage,the protection of intangible cultural heritage has become a new social public issue.It is of concern to the general public.Simply relying on the “transfusional” protection method can no longer adapt to the new social situation.The need for material heritage protection.How to update the concept of protection and protection,so that a certain category of innocence for their own protection and development into the vitality and better integration of modern life,has become the primary problem of intangible cultural heritage protection.The productive protection of intangible cultural heritage provides a new idea for intangible protection.Since its introduction in 2006,thetheoretical exploration and practical exploration in more than ten years have proved that the intangible cultural heritage production protection is in line with the non-inheritance inheritance and development law.A way of protection.Based on the theory of cultural ecology,this article is based on the theoretical issues and practical problems in the process of intangible productive protection,and reinterprets the Guiding Opinions on the Production Protection of Intangible Cultural Heritage(referred to as “opinions”)regarding “productiveness”.On the basis of the concept of protection,the general characteristics of the intangible cultural heritage that are suitable for productive protection are summed up,namely,the continuous production,the liveliness of the present and the uninterrupted commercial nature.Then it discusses the production techniques of Yixing Zisha potter under the perspective of productive protection,and focuses on the use of cultural ecology theory to analyze the general conditions and special cultural ecology of Yixing Zisha with productive protection.Through field research and theoretical analysis,it summarizes the three special features of Yixing productive protection Model: It is the production mode of “company + base + studio + cultural tourism”,production mode of“household hand workshop” and production mode of “cooperative +farmer”.In response to the current general problems of “ignoring the correctness of items”,“deviating from cultural traditions”,“blindindustrialization development” and other current issues of productive protection,and the practical challenges in the process of production protection in Yixing,from the government,inheritors,and markets For the future Yixing Zisha pottery production of protective protection of artistry.Finally,it combines the controversial issues that are commonly found in the theory of protection of production protection and practice exploration,and reflects on the practice of contemporary intangible productive protection.First of all,combined with the successful experience of Yixing's productive protection practices,the author puts forward the view that the core of productive protection is the cultural ecology.Apart from this,the productive protection cannot be separated from the extensive participation of the inheritors,scholars,and other social persons.It is further pointed out that the scope of productive protection is not limited to the three categories of intangible items concocted by traditional techniques,traditional fine arts,and traditional medicines,but at the same time,the dual nature of “production” must also be recognized.However,not all non-heritage projects are suitable for productive protection.The relationship between industrial development and productive protection and the relationship between intangible heritage and innovation and development should be carefully handled in the practice of productive protection.From the perspective of culturalecology,we answered questions such as “What is productive protection?What kinds of intangible projects are suitable for productive protection?How to produce protection?” and so on.With the help of Yixing's successful experience in productive protection,we hope to provide theory for other intangible cultural heritage productive protection basis and practice reference.