The Application And Thinking Of Rock Color In The Current Heavy Color Figure Painting

Claboratestyle figure painting is a traditional Chinese painting first appeared in the picture,since the tang dynasty heavy variety in the position in Chinese painting down again and again,until the 1990 s,rock color back to the Chinese artists,rock color again become claboratestyle figure painting painting materials in China,the special pigments from one thousand years ago brought China Chong Cai Hua innovation and thinking.Rock color is a new concept that was born in the last century in the Chinese art circle.Rock color painting has not only the decorative characteristics of comprehensive materials,but also the cultural characteristics of traditional Chinese painting.Rock color painting can not only absorb the advantages of Western painting,but also have the characteristics of traditional Chinese painting.Rock color painting does not belong to the realistic and shaping space of Western painting.It is the same as traditional Chinese painting in shaping plane.Rock color combines the ancient and modern characteristics of Chinese and Western painting language,forming a unique artistic language only belonging to rock color painting itself.Thousands of years ago,the materials and techniques of rock color were used on many carriers,including traditional Chinese painting,mural painting and Thangka.At that time,Chinese heavy color painting was called "Danqing",also known as "heavy color",and rock color had a strong ink and heavy color in ancient China.In the 1980 s,in the field of Chinese painting,how to innovate and seek differences in Contemporary Chinese traditional painting,based on the current diversified world,now the art language and expression form of Chinese painting are in full bloom.The innovation of Chinese traditional painting is not only the advanced nature of thought and novelty of content,but also the indispensable and changeable part of China's traditional China's painting.A thousand years ago,rock color was introduced to Japan from China,and then Chinese artists took it back to China.Rock color in the call for Contemporary Chinese painters to constantly explore,as soon as possible to adapt to the modern aestheticcharacteristics of rock color,rock color can not only continue the spirit of Oriental culture,but also be placed in a broader space of contemporary art.This paper is just my relatively shallow view and understanding of the field of rock color,and there are many shortcomings in both the professional level and the fine level.I hope to get the correction of the majority of experts,and I also hope this paper can bring help and thinking for some people in the field,and carry forward the ancient pigment of rock color in Chinese painting.