Otomono Tabito And The Thought On Immortal

Manyoshu which contains works written by nobles and the general public,is the oldest Japanese collection of waka.It is an important material for studying Japanese ancient waka.Immortal thought is one of the ancient folk beliefs that originated form China,and later spread to Japan,which has more or less influence on all aspects of the life of the people lived in Manyo age.So far,although the research pointed out that the interest of the gods in the Japanese literature of the previous generation is mainly reflected in the fairy tales,there is less discussion on the specific content of the fairy preferences of the Japanese in the previous generation.Due to cultural exchanges between Japan and China,envoys to the Tang dynasty brought many Chinese classics back to Japan.Otomono Tabito was deeply influenced by Chinese literature,and created a brand-new literary form of "Hanwo confusion".Otomono Tabito left more than 70 works in the Manyoshu,of which the works showed a strong interest in immortals and seclusion accounted for more than half of its works.Especially in his works Song of the Japanese Piano and Preface of Visit in the Songpu River,you can see his interest and love for fairies.Therefore,this thesis takes the fairy hobby of the people in Manyo age as the background,and takes the content related to the fairy in Otomono Tabito's works as the object of investigation,combined with the expression of the sentence to confirm the impact of Chinese literature.On this basis,examines the originality of Otomono Tabito and makes it clear that the part of the content of acceptance of the ideas of the immortals.The specific discussion process is as follows:The preface summarizes the previous studies of Manyoshu and the immortal thought,Otomono Tabito and the immortal thought.It confirmed the spread and acceptance of Chinese books at that time,and affirmed the influence of Chinese literature.The relationship between the Otomono Tabito and the immortal thought isconfirmed,the problem consciousness is highlighted;the first chapter explains the content of the immortal thought and the scope of the fairies studied in this thesis,then by analyzing the image of the fairy in Chinese classics and Ancient Records,Chronicles of Japan,Fudoki and Manyoshu,the image of the fairy in Chinese literature and the characteristics of the fairy loved by people in Manyo dynasty are confirmed;the second chapter takes the Song of the Japanese Piano written by Otomono Tabito as an investigation object: First,It summarized the image and connotation of Chinese and Japanese lyre,and later accepted Otomono Tabito acceptance of Selected Works,especially Ji Kang's Odes to Qin,and clarified the concept of "the Qin transformed into a woman" of Otomono Tabito is generated based on fairy thought.Finally,based on the expression of the sentence,the image of "Qin Lady" in the work is investigated.The third chapter takes Otomono Tabito's Preface of Visit in the Songpu River as the object of study,and discusses Otomono Tabito's conception of setting the Songpu River as a fairyland and the preface of the Chinese text.The setting of the content clarifies that the composition of the entire content is similar to that of the story describe an ordinary people enter fairyland by accident,and based on the expression of the sentence,it analyzes the fairy images of the Songpu River and investigates the interest of women's fishing settings;the final conclusion,It Summarized the contents of the first chapter to the third chapter,gave the affirmation of Manyo's fairy hobby,and pointed out the commonality of the times and the originality of the fairy impression of Otomono Tabito.To sum up,this thesis is from the point of view of the perspective of comparative literature,by analyzing the fairy hobby of the people in Manyo dynasty and the fairy image of Otomono Tabito,confirms the influence from Chinese literature in DaBanliren's work and its acceptance of the immortal thought.