Urban Writing Of Deng Yiguang's Shenzhen Series Of Novels

Urban literature is an important trend in the development of Chinese literature now and in the future.Since Deng Yiguang moved to Shenzhen in 2009,his Shenzhen series of novels have provided a new dimension of expression and creative experience for urban writing with excellent observation and unique imagination.This article takes Deng Yiguang's four collections of short and medium stories published in Shenzhen to date as the research object.On the basis of text analysis,grasp the basic characteristics of Deng Yiguang's Shenzhen narrative and urban writing as a whole,and examine the uniqueness and value of his urban literary creation.This thesis is divided into three parts:introduction,text and conclusion.The text consists of three chapters.The introduction begins with a basic understanding of the connotation of urban literature,introduces the basic situation of urban writing in Deng Yiguang's Shenzhen series of novels,and clarifies the research ideas of this thesis on the basis of summing up existing research results.The first chapter of the text explores the perspective and imagination of Deng Yiguang's Shenzhen narrative on the basis of exploring the particularity of literary expression in Shenzhen as a "new city." Compared with the historical writings of Beijing and Shanghai,the "new city" Shenzhen,which has risen rapidly after the reform and opening up,needs a more pioneering expression dimension.Deng Yiguang's Shenzhen narrative starts with urban coordinates to start spatial imagination,and in the investigation of urban growth history meditating on the complex relationship between urban development and sin,metaphorizing the inherent illness of urban civilization in a symbolic installation of animal and plant imagery.The second chapter of the text examines the writing of mental symptoms of modern urban people in Deng Yiguang's Shenzhen series of novels.Deng Yiguang has always focused on the spiritual world of people in the city,whether they are migrant workers who are anxious for survival,homeless urban immigrants,urban middle-class peoplewith suspended minds,young people who can't have both affection and "urban dreams" or the aboriginal people whose family culture is declining,and the lost "deep second generation",different groups of the city are experiencing the same and different mental symptoms of this era,which is intertwined with the modernity of the self and the times in the process of social change confused.The third chapter of the text explores the transcendence of Deng Yiguang's urban literary writing.The creation of Deng Yiguang's series of Shenzhen novels is not only a depiction of urban reality and the display of urban entities,but also strives to transcend reality.Discover the urban spiritual texture under the representation of geographical symbols.Imagine and construct the multiple meanings of the city in the unique experience of individual life,and use the poetic symbol to point to the spiritual expectations and humanistic feelings of the city.The concluding part summarizes the basic characteristics of Deng Yiguang's Shenzhen series of novels,and points out its transcendence over the original urban writing and its inspiration to contemporary Chinese urban literary writing.