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The Cultural Construct And Identity Of The Movie A Sacred Sheep(Rongken),under The "Ethnic Misidentification" Vision In China Pumi People

Posted on:2021-05-13Degree:MasterType:Thesis
Country:ChinaCandidate:D W LiFull Text:PDF
GTID:2415330623480185Subject:Theater, film and television
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The Pumi people living in northwestern Yunnan province,they have come from Qinghai province,they have multiplied here,and formed their own unique “Rongken”culture;because of the ethnic identity after the founding of P.R.China,part of pumi people became the new member in Chinese nation,and the other joins the Tibetan family.Although their identity has changed due to “ethnic misidentification”,they have not forgotten their common ancestors.At this time,the Tibetan Pumi people,Goba Haipei,detailed the Pumi people 's unique ethnic richness,the mysterious and“Rongken” culture that contains the Pumi origin through the movie “A sacred sheep”,which not only brought a shocking soul to the audience The feast of Pumi culture,for the first time,made a video summary of Pumi's outstanding national culture,and also expressed the plight of Pumi 's “Rongken” culture,as well as the plight of the entire Pumi culture.Protecting Pumi's “Rongken” culture is also the responsibility and obligation of each member of the Chinese nation family.This topic uses five chapters to conduct a comprehensive analysis of the film“Rongken” in the perspective of “ethnic misidentification”,using film science,anthropology,religion,and ethnicity.“ethnic misidentification”is a new concept for Pumi people proposed by Mr.Xiong Yongxiang,a Pumi scholar,and the National Research Fund.The first chapter of this topic is a brief description of the “ethnic misidentification” of the Pumi people,introducing the Pumi people,and combing the distribution of the Pumi people in Yunnan and Sichuan province in the National Fund of Scholar Mr.Xiong Yongxiang.After the founding of the P.R.China,the research on the Pumi people could not avoid the premise of “ethnic misidentification”.The same was true for the creation and shooting of movies.The directors of the movies were also affected by the “ethnic misidentification”.The second chapter gives a detailed explanation of the movie “Rongken”,and presents the most representative elements of the Pumi ethnic group in the film,paving the way for the ethnic elements that the Pumi ethnic cultural development needs to focus on later.The third chapter focuses on the key culture shown in the movie “A sacred sheep” culture,which is also the core of Pumi's culture.“Rongken” as a whole cultural concept includes both Rongken rituals and Rongken scriptures.Etc,and combing analysis of the performance of the film.The fourth chapter discusses the Pumi people 's views on the film“Rongken”through in-depth interviews with film directors and the Pumi people.From their recognition and dissatisfaction with the film,it discusses the Pumi people 's “Rongken” culture and the cultural identity of the film Happening.Finally,the fifth chapter discusses the significance of the film to the transmission of Pumi culture and advice for the future dissemination and development of Pumi culture,and uses the film “A sacred sheep ” as an opportunity to promote the Pumi culture to the country and the world.
Keywords/Search Tags:ethnic misidentification, movie A sacred sheep, Pumi, cultural identity
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